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The Rise of 6 in the Nineteenth Century
16 references·1 citing·26 second hop
The Rise of 6 in the Nineteenth Century (2002)The Rise of 6 in the Nineteenth CenturySongs in Their Heads: Music and Its Meaning in Children's Lives (2001)Songs in Their Heads: Music a…Scales, Sets, and Interval Cycles: A Taxonomy (1999)Scales, Sets, and Interval Cy…Harmonic Practice in Tonal Music (1999)Harmonic Practice in Tonal Mu…An Ethnomusicologist Contemplates Universals in Musical Sound and Musical Culture (1999)An Ethnomusicologist Contempl…Songs in Their Heads (1998)Songs in Their HeadsCalculating Tonal Tension (1996)Calculating Tonal TensionInterval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance (1994)Interval-Class Content in Equ…Playing with Signs: A Semiotic Interpretation of Classic Music (1991)Playing with Signs: A Semioti…Playing with Signs (1991)Playing with SignsMaximally Even Sets (1991)Maximally Even SetsCoordination of Interval Sizes in Seven-Tone Collections (1991)Coordination of Interval Size…Studies on the Origin of Harmonic Tonality (1990)Studies on the Origin of Harm…The Expansion of the Subdominant in the Late Nineteenth Century (1983)The Expansion of the Subdomin…: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981): Free Composition (Der Freie…Explaining Music (1973)Explaining MusicThe Language of Music (1959)The Language of MusicThe leading sixth scale degree: A test of Day-O’Connell’s theory (2017)The leading sixth scale degre…Meter and Grouping in African Music: A View from Music Theory (2000)A Platonic Model of Funky Rhythms (2016)The Geometry of Musical Rhythm (2016)Theorizing Musical Meaning (2001)Action and Agency Revisited (2013)The orchestral revolution: Haydn and the technologies of timbre (2013)Music, Mood, and Marketing (1990)Handbook of Emotions (1993)Emotional intelligence: In search of an elusive construct. (1998)Observable indicators of flow experience: a developmental perspective on musical engagement in young children from infancy to school age (2005)Group creativity: musical performance and collaboration (2006)Musical narratives: A study of a young child’s identity work in and through music-making (2010)Effects of Choir Singing or Listening on Secretory Immunoglobulin A, Cortisol, and Emotional State (2004)The biology and evolution of music: A comparative perspective (2006)The Evolution of Language (2010)Crossmodal correspondences between sounds and tastes (2012)Music Theory and the White Racial Frame (2020)An Overview of Hierarchical Structure in Music (1983)Cadential processes: The evaded cadence and the “one more time” technique (1992)Cognitive constraints on compositional systems (1992)A Cognitive Theory of Musical Meaning (2000)The Classical Cadence: Conceptions and Misconceptions (2004)Epistemologies of music theory (2002)Hugo Riemann and the Birth of Modern Musical Thought (2003)Music as Embodied Mathematics: A Study of a Mutually Informing Affinity (2003)Seeking Challenge, Finding Skill: Flow Experience and Music Education (2002)
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References

  • 1991Playing with Signs386 cited
  • 1959The Language of Music356 cited
  • 2001Songs in Their Heads: Music and Its Meaning in Children's Lives334 cited
  • 1991Playing with Signs: A Semiotic Interpretation of Classic Music331 cited
  • 1973Explaining Music308 cited
  • 1999An Ethnomusicologist Contemplates Universals in Musical Sound and Musical Culture279 cited
  • 1998Songs in Their Heads219 cited
  • 1991Maximally Even Sets203 cited
  • 1990Studies on the Origin of Harmonic Tonality149 cited
  • 1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.143 cited
  • 1996Calculating Tonal Tension130 cited
  • 1999Harmonic Practice in Tonal Music101 cited
  • 1994Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance75 cited
  • 1999Scales, Sets, and Interval Cycles: A Taxonomy55 cited
  • 1983The Expansion of the Subdominant in the Late Nineteenth Century35 cited
  • 1991Coordination of Interval Sizes in Seven-Tone Collections

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  • 2017The leading sixth scale degree: A test of Day-O’Connell’s theory4 cited