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Music And the rise of aesthetics
16 references·2 citing·28 second hop
Music And the rise of aesthetics (2001)Music And the rise of aestheticsKritik der Urteilskraft (2009)Kritik der UrteilskraftSchelling and Modern European Philosophy (2002)Schelling and Modern European…The Quest for Voice: Music, Politics, and the Limits of Philosophy (2000)The Quest for Voice: Music, P…The Quest For Voice (1998)The Quest For VoiceKritik der reinen Vernunft (1998)Kritik der reinen VernunftFrom Romanticism to Critical Theory: The Philosophy of German Literary Theory (1996)From Romanticism to Critical …Die Idee der absoluten Musik (1994)Die Idee der absoluten MusikAesthetics and subjectivity from Kant to Nietzsche (1991)Aesthetics and subjectivity f…The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics (1988)The Emancipation of Music fro…Schriften zur Musik ; Singspiele (1988)Schriften zur Musik ; Singspi…The Emancipation of Music From Language: Departure From Mimesis in Eighteenth-Century Aesthetics. (1987)The Emancipation of Music Fro…Vorlesungen über die Ästhetik (1970)Vorlesungen über die ÄsthetikSource Readings in Music History (1952)Source Readings in Music Hist…From Romanticism to Critical Theory (1952)From Romanticism to Critical …Source Readings in Music History (1950)Source Readings in Music Hist…Kritik der reinen Vernunft (1933)Kritik der reinen VernunftDisquieting Conversations: Bach, Modernity, and God (2013)Disquieting Conversations: Ba…The concert hall as a medium of musical culture: the technical mediation of listening in the 19th century (2012)The concert hall as a medium …Reason, Truth and History (1981)Contingency, Irony, and Solidarity (1989)Inquiries into Truth and Interpretation (2001)History of Modern Aesthetics (2005)The Persistence of Subjectivity (2005)Space as a mode of political thinking (2012)The Balanced Scorecard: what is the score? A rhetorical analysis of the Balanced Scorecard (2003)What are emotions? And how can they be measured? (2005)Sensible Knowledge and Practice-based Learning (2007)Listening through Reading: Musical Literacy and the Concert Audience (1992)Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century (1997)On Literature and Ethics (2004)Hegel's Doppelsatz : A Neutral Reading (2006)Religion and Gender in Goethe's Iphigenie auf Tauris (2007)Tonal Types and Modal Categories in Renaissance Polyphony (1981)Music Theory, Phenomenology, and Modes of Perception (1986)The End of Early Music (2007)Dialektik der Aufklärung (1949)Cognition, Construction of Knowledge, and Teaching (1998)A Cognitive Analysis of Problems of Comprehension in a Learning of Mathematics (2006)The Imaginary Museum of Musical Works (1994)The Cambridge History of Philosophy 1870–1945 (2003)On Acting and Knowing: How Pragmatism Can Advance International Relations Research and Methodology (2009)Philosophy, Psychiatry, and Psychology (2015)The transmission of ancient music theory into the Middle Ages (2002)Aesthetics and subjectivity (2018)The Holocaust and the Postmodern (2004)Hermeneutics and the Human Sciences (2019)
this work references cited by second hop

References

  • 1998Kritik der reinen Vernunft2,305 cited
  • 2009Kritik der Urteilskraft1,204 cited
  • 1933Kritik der reinen Vernunft740 cited
  • 1991Aesthetics and subjectivity from Kant to Nietzsche374 cited
  • 1950Source Readings in Music History307 cited
  • 1987The Emancipation of Music From Language: Departure From Mimesis in Eighteenth-Century Aesthetics.247 cited
  • 1952From Romanticism to Critical Theory241 cited
  • 1994Die Idee der absoluten Musik173 cited
  • 1952Source Readings in Music History160 cited
  • 1970Vorlesungen über die Ästhetik159 cited
  • 2002Schelling and Modern European Philosophy110 cited
  • 1996From Romanticism to Critical Theory: The Philosophy of German Literary Theory99 cited
  • 1998The Quest For Voice91 cited
  • 1988The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics56 cited
  • 2000The Quest for Voice: Music, Politics, and the Limits of Philosophy45 cited
  • 1988Schriften zur Musik ; Singspiele30 cited

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  • 2013Disquieting Conversations: Bach, Modernity, and God17 cited
  • 2012The concert hall as a medium of musical culture: the technical mediation of listening in the 19th century4 cited