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Analysis and (or?) performance
5 references·16 citing·36 second hop
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this work references cited by second hop

References

  • 1971Musical Form and Musical Performance174 cited
  • 1999Analysing Performance and Performing Analysis121 cited
  • 1995Performance and analysis: interaction and interpretation107 cited
  • 1989Musical Structure and Performance97 cited
  • 1995Analysis and the act of performance74 cited

Cited by

  • 2003In Respect of Performance: The View from Musicology50 cited
  • 2014A spiral model of musical decision-making23 cited
  • 2004The performance teacher as music analyst: a case study23 cited
  • 2011Performance Perspectives17 cited
  • 2016The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis15 cited
  • 2019Voices and Practices in Applied Linguistics: Diversifying a Discipline15 cited
  • 2016Time‐Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance‐Sensitive Approach to Morphosyntactic Musical Analysis12 cited
  • 2007Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work9 cited
  • 2014Preparing stylistically challenging contemporary classical repertoire for performance: Interpreting Kumari6 cited
  • 2005"Narrativas musicais: performance e experiência na música popular instrumental brasileira"

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6 cited
  • 2023Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett6 cited
  • 2020What is your thought process during sight-reading? Advanced sight-readers’ strategies across different tonal environments5 cited
  • 2021Brahmsian Articulation5 cited
  • 2018Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera4 cited
  • 2020Speaking of your own repertoire: an investigation of music performance during practice4 cited
  • 2014On Performing Chopin’s Barcarolle4 cited