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The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis
16 references·0 citing·22 second hop
The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis (2016)The first movement of Schubert's Piano So…Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet (2014)Formal Functions and Retrospe…Schubert's Sonata Forms and the Poetics of the Lyric (2006)Schubert's Sonata Forms and t…Elements of Sonata Theory (2006)Elements of Sonata TheoryElements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Interpreting musical gestures…Musical Performance: A Guide to Understanding (2002)Musical Performance: A Guide …Rethinking Music (1999)Rethinking MusicAs Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)As Wonderful as Star Clusters…Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…The Practice of Performance (1995)The Practice of PerformanceQueering the pitch: the new gay and lesbian musicology (1995)Queering the pitch: the new g…Performance and analysis: interaction and interpretation (1995)Performance and analysis: int…Queering the pitch: The new gay and lesbian musicology (1994)Queering the pitch: The new g…Musical Structure and Performance (1989)Musical Structure and Perform…On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5 (1985)On the Relation of Analysis t…Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)The New Grove dictionary of music and musicians (2001)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Extraordinary Measures (2011)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)Jazz Among the Discourses (1995)Defining and Measuring Sexual Orientation: A Review (1997)Balzac’s Queer Cousins and Their Friends (1997)Piano Four-Hands: Schubert and the Performance of Gay Male Desire (1997)The Cambridge Companion to Opera Studies (2012)Musical Performance as Interpretation (1995)Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation1 (2007)Musical Forces and Melodic Patterns (2016)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)The End of Early Music (2007)Choreomusical Conversations: Facing a Double Challenge (2011)Performing identity within a multicultural framework (2005)The Classical Cadence: Conceptions and Misconceptions (2004)Towards a generative syntax of tonal harmony (2011)
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References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2006Elements of Sonata Theory644 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 2005Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert426 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1995Queering the pitch: the new gay and lesbian musicology221 cited
  • 1999Rethinking Music206 cited
  • 1994Queering the pitch: The new gay and lesbian musicology202 cited
  • 1999As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert177 cited
  • 1985On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5124 cited
  • 1995Performance and analysis: interaction and interpretation107 cited
  • 1995The Practice of Performance99 cited
  • 1989Musical Structure and Performance97 cited
  • 2006Schubert's Sonata Forms and the Poetics of the Lyric94 cited
  • 2002Musical Performance: A Guide to Understanding78 cited

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  • 2014Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet67 cited
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