SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The History and Development of Wax-Printed Textiles Intended for West Africa and Zaire
0 references·16 citing·51 second hop
The History and Development of Wax-Printed Textiles Intended for West Africa and Zaire (1979)The History and Development of Wax-Printe…Semiotics of Factory Printed Wax Prints across West Africa (2023)Semiotics of Factory Printed …Typology and Fashion Usage Trends of Ankara in the Twenty-First Century South-Western Nigeria (2022)Typology and Fashion Usage Tr…African Fashion Design and the Mobilization of Tradition (2019)African Fashion Design and th…From Tradition to Innovation: Indigenous West African Textiles in Creative Interior Application (2018)From Tradition to Innovation:…African-Print Fashion Now! A Story of Taste, Globalization, and Style (2017)African-Print Fashion Now! A …Ghanaian Woman and Dutch Wax Prints: The Counter-appropriation of the Foreign and the Local Creating a New Visual Voice of Creative Expression (2016)Ghanaian Woman and Dutch Wax …Assessment of Consumer Preference in the Use of African Wax Prints in Ghana (2016)Assessment of Consumer Prefer…Ghana's Glass Beadmaking Arts in Transcultural Dialogues (2014)Ghana's Glass Beadmaking Arts…OfMutualityandCopying: FashioningAso Ebithrough Fashion Magazines in Lagos (2012)OfMutualityandCopying: Fashio…AsanteHightimersand the Fashionable Display of Women's Wealth in Contemporary Ghana (2009)AsanteHightimersand the Fashi…The "African Print" Hoax: Machine Produced Textiles Jeopardize African Print Authenticity (2008)The "African Print" Hoax: Mac…Textile Semantics: Considering a Communication-based Reading of Textiles (2008)Textile Semantics: Considerin…Commemorative Textiles and Anglican Church History in Ondo, Nigeria (2008)Commemorative Textiles and An…The fabric of Africanity (2007)The fabric of AfricanityHosen mit Bedeutung. Weibliche Bekleidungsformen in Südghana im 20. Jahrhundert (2006)Hosen mit Bedeutung. Weiblich…Home Economists as Cross‐Cultural Researchers: A Field Study of Ghanaian Clothin Selection (1980)Home Economists as Cross‐Cult…The cultural biography of things: commoditization as process (1986)The Invention of Tradition (1986)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)The ‘third tier’ of globalization (2008)BRANDS AND THEIR SURFEITS (2013)Chinese Devils, the Global Market, and the Declining Power of Togo’s Nana-Benzes (2013)Notes and Queries on Anthropology (1953)West African Urbanization: A Study of Voluntary Associations in Social Change (1966)A Handbook of Method in Cultural Anthropology. (1975)Regional Variations in Bird Skin Preparation Techniques and Parka Designs (1991)A Comparison of Historical and Contemporary Skin Clothing Used in North Greenland: An Ethnohistorical Approach (1992)Introduction to African civilizations (1970)African textile design and fabric arts as a source for contemporary fashion trends (2013)Analysis of factors influencing black South African millennials when considering African Ankara fabric fashion (2018)The Production of African Print Fabric Designs: A User-Centric Design Approach (2023)Description and Historical Account of the Gold Kingdom of Guinea (1602) (1989)What is the Concept of Globalization Good for? An African Historian's Perspective (2001)Domesticating the world: African consumerism and the genealogies of globalization (2008)Religion and Art in Ashanti (1927)Onions Are My Husband (1994)Onions Are My Husband: Survival and Accumulation by West African Market Women (1996)‘A Light-Hearted Bunch of Ladies’: Gendered Power and Irreverent Piety in the Ghanaian Methodist Diaspora (2010)“The Models for Africa”: Accra's Independence-Era Fashion Culture and the Creations of Chez Julie (2016)Kwame Nkrumah’s Suits: Sartorial Politics in Ghana at Independence (2021)For a Critique of the Political Economy of the Sign (1980)INTRODUCTION TO COMMUNICATION STUDIES (1982)The Denim Garment as Canvas: Exploring the Notion of Wear as a Fashion and Textile Narrative (2011)Fashion as Communication (2013)Wearing in memory: Materiality and oral histories of dress (2014)Digitizing Traditional Cultural Designs (2017)African Religions and Philosophy (1969)West African traditional religion (1978)The Christian Science Monitor (2011)Dress Politics and Framing Self in Ghana: The Studio Photographs of Felicia Abban (2016)Nationalizing the Internet to Break a Protest Movement: Internet Shutdown and Counter-Appropriation in Iran of Late 2019 (2022)Debating the “Chineseness” of a mobile game in online communities (2023)Key Concepts in Communication and Cultural Studies (1993)The Power of Silence: Social and Pragmatic Perspectives (1993)National Identity, Popular Culture and Everyday Life (2020)EXAMINATION OF THE BASIC COMPONENTS OF AFRICAN PRINT FABRIC DESIGNS PRODUCED IN SOUTH WEST NIGERIA. (2022)SIMULATION OF AFRICAN PRINT FABRICS USING SCREEN PRINTING TECHNIQUE IN THE TEXTILE DESIGN STUDIO. (2022)A Comparative Study of Printed Fabric Product Lines and Design Concepts of Texstyle Ghana Limited (2023)Salaula: the world of secondhand clothing and Zambia (2001)The Short Century: Independence and Liberation Movements in Africa, 1945-1994 (2002)The Short Century: Independence and Liberation Movements in Africa, 1945‐1994. (2002)Co-constructing fashion in a South–South context: selling Chinese-made garments and textiles in Mozambique (2022)Local fashion, global imagination: Agency, identity, and aspiration in the diasporic Hmong community (2022)Digital fashionistas: young women, wealth-in-followers and matronage in Yaoundé, Cameroon (2023)Imperial leather: race, gender and sexuality in the colonial contest (1996)Dangerous liaisons: gender, nation, and postcolonial perspectives (1997)“Under Western Eyes” Revisited: Feminist Solidarity through Anticapitalist Struggles (2003)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2007The fabric of Africanity41 cited
  • 2016Ghanaian Woman and Dutch Wax Prints: The Counter-appropriation of the Foreign and the Local Creating a New Visual Voice of Creative Expression29 cited
  • 2008Textile Semantics: Considering a Communication-based Reading of Textiles29 cited
  • 2014Ghana's Glass Beadmaking Arts in Transcultural Dialogues25 cited
  • 2017African-Print Fashion Now! A Story of Taste, Globalization, and Style19 cited
  • 2008The "African Print" Hoax: Machine Produced Textiles Jeopardize African Print Authenticity19 cited
  • 2009AsanteHightimersand the Fashionable Display of Women's Wealth in Contemporary Ghana17 cited
  • 2006Hosen mit Bedeutung. Weibliche Bekleidungsformen in Südghana im 20. Jahrhundert12 cited
  • 1980Home Economists as Cross‐Cultural Researchers: A Field Study of Ghanaian Clothin Selection12 cited
  • 2016Assessment of Consumer Preference in the Use of African Wax Prints in Ghana7 cited
  • 2018From Tradition to Innovation: Indigenous West African Textiles in Creative Interior Application5 cited
  • 2008Commemorative Textiles and Anglican Church History in Ondo, Nigeria5 cited
  • 2019African Fashion Design and the Mobilization of Tradition5 cited
  • 2022Typology and Fashion Usage Trends of Ankara in the Twenty-First Century South-Western Nigeria

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

4 cited
  • 2023Semiotics of Factory Printed Wax Prints across West Africa3 cited
  • 2012OfMutualityandCopying: FashioningAso Ebithrough Fashion Magazines in Lagos3 cited