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Instruments and the imagination
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  • 1999Demonstrations: sites and sights of direct action98 cited
  • 2006The Meanings of Experience78 cited
  • 2005Physics, Ballistics, and Psychology: A History of the Chronoscope in/as Context, 1845-1890.62 cited
  • 1997Voyages, Mesures et Instruments Une nouvelle expérience du monde au Siècle des lumières56 cited
  • 2008Uncanny Reflections, Modern Illusions: Sighting the Modern Optical Uncanny51 cited
  • 2012Openness versus secrecy? Historical and historiographical remarks42 cited
  • 2008The Topology of Contemporary Art39 cited
  • 2015Dust Plate, Retina, Photograph: Imaging on Experimental Surfaces in Early Nineteenth-Century Physics32 cited
  • 2008Snap of the Whip/Crossroads of Shame: Flogging, Photography, and the Representation of Atrocity in the Congo Reform Campaign29 cited
  • 1997Electrical instruments in 19th century France, between makers and users27 cited
  • 2013Rousseau in 201324 cited
  • 2008Efficiencies of Balance23 cited
  • 2011Watching the Fireworks: Early Modern Observation of Natural and Artificial Spectacles23 cited
  • 2020‘False Relations’: Hermann von Helmholtz's Study of Music and the Delineation of Nineteenth-Century Physiology17 cited

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  • 2010Composing Claims on Musical Instrument Development: A Science and Technology Studies' Contribution16 cited
  • 2008The Postcolonial Constellation15 cited