SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Musical Style, Ideology, and Mythology in Norwegian Black Metal
0 references·12 citing·46 second hop
Musical Style, Ideology, and Mythology in Norwegian Black Metal (2012)Musical Style, Ideology, and Mythology in…Toward a Systematic Understanding of “Heaviness” in Metal Music Production (2022)Toward a Systematic Understan…Transcending Time (Feels) (2021)Transcending Time (Feels)Affirmation and denial: Extreme right black metal and the Holocaust (2020)Affirmation and denial: Extre…Religion and heavy metal music in Indonesia (2019)Religion and heavy metal musi…Islamic Religion and Death Metal Music in Indonesia (2018)Islamic Religion and Death Me…Second wave true Norwegian black metal: an ideologically evil music scene? (2017)Second wave true Norwegian bl…Consuming abjection: an examination of death and disgust in the black metal scene (2017)Consuming abjection: an exami…Whiteness With(out) Borders: Translocal narratives of whiteness in heavy metal scenes in Norway, South Africa and Australia. (2016)Whiteness With(out) Borders: …Becoming metal: narrative reflections on the early formation and embodiment of heavy metal identities (2016)Becoming metal: narrative ref…Babymetal and the ambivalence of cuteness (2016)Babymetal and the ambivalence…From Pride to Prejudice to Shame (2014)From Pride to Prejudice to Sh…Dark tourism motivations: Simulation, emotional contagion and topographic comparison (2012)Dark tourism motivations: Sim…Basics of Qualitative Research: Grounded Theory Procedures and Techniques. (1992)Basics of Qualitative Research: Grounded Theory Procedures and Techniques (1993)How Many Interviews Are Enough? (2005)Investigating the motivation–experience relationship in a dark tourism space: A case study of the Beichuan earthquake relics, China (2015)Negative emotions in tourism: a meaningful analysis (2018)Netnography as a tool for understanding customers: implications for service research and practice (2018)Analysis and Interpretation of Qualitative Data in Consumer Research (1994)Social Research Methods (2008)Netnography: Doing Ethnographic Research Online (2010)Dystopian dark tourism: An exploratory examination (2015)Running with the Devil: Power, Gender, and Madness in Heavy Metal Music (1995)Heavy Metal: The Music And Its Culture (2009)Our aesthetic categories: zany, cute, interesting (2013)“Maiden's Armor”: Global Gothic Lolita Fashion Communities and Technologies of Girly Counteridentity (2018)Transnational Encounters with the Non-Human Animal as a Refugee (2025)Narrative Methods for the Human Sciences (2007)Narrative Methods for the Human Sciences (2008)Heavy metal music as communal intervention: Experiences and challenges in the context of the metal-academia dyad in Jaén, Spain (2020)Music and Youth Identity Formation in the 21st Century: A Sociological Analysis into Global Metal and K-pop Identities in a Cosmopolitan World (2022)Modernity and Self-Identity (2023)Powers of Horror: An Essay on Abjection (1984)A Social Psychologist Discovers Chicago Sociology (1989)Managing collective effervescence: ‘Zomsumption’ and postemotional fandom (2018)‘ Hayan na ang mga Hampas-dugo! (the Penitents are coming!)’: Penitensya as religious-dark tourism (2021)A consumer culture theory perspective of the marketplace: An integrative review and agenda for research (2021)Welcome to the Desert of the Real! (2002)Understanding Popular Culture (2006)How Doppelgänger Brand Images Influence the Market Creation Process: Longitudinal Insights from the Rise of Botox Cosmetic (2012)Club cultures: music, media and subcultural capital (1996)The field of Cultural Production (2002)Distinction: A Social Critique of the Judgement of Taste* (2018)Masculinity and underground music scene participation across time: A case study from Indonesia (2022)Distinction. A Social Critique of the Judgement of Taste (1985)The Field of Cultural Production (1994)The New Metal Men: Exploring Model of Flexible Masculinity in the Bandung Metal Scene (2020)Running with the devil: power, gender, and madness in heavy metal music (1993)Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1996)Extreme Metal: Music and Culture on the Edge (2006)Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” (2022)Female Subjectivities in the Words, Music, and Images of Progressive Metal (2023)Popular Music and Society (1996)Heavy Metal Carnival and Dis‐alienation: The Politics of Grotesque Realism (2006)Blacker than Death: Recollecting the “Black Turn” in Metal Aesthetics (2013)Lorna Shore’s ‘To the Hellfire’: A study in heaviness (2023)From analogue to algorithm: How private production reshaped metal aesthetics (2024)The Heaviest Metal (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Dark tourism motivations: Simulation, emotional contagion and topographic comparison227 cited
  • 2022Toward a Systematic Understanding of “Heaviness” in Metal Music Production35 cited
  • 2021Transcending Time (Feels)23 cited
  • 2016Babymetal and the ambivalence of cuteness19 cited
  • 2016Becoming metal: narrative reflections on the early formation and embodiment of heavy metal identities15 cited
  • 2017Consuming abjection: an examination of death and disgust in the black metal scene14 cited
  • 2018Islamic Religion and Death Metal Music in Indonesia12 cited
  • 2019Religion and heavy metal music in Indonesia12 cited
  • 2017Second wave true Norwegian black metal: an ideologically evil music scene?10 cited
  • 2014From Pride to Prejudice to Shame10 cited
  • 2020Affirmation and denial: Extreme right black metal and the Holocaust5 cited
  • 2016Whiteness With(out) Borders: Translocal narratives of whiteness in heavy metal scenes in Norway, South Africa and Australia.5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work