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Reflections on (and in) Strunk's Tonnetz
16 references·0 citing·20 second hop
Reflections on (and in) Strunk's Tonnetz (2016)Reflections on (and in) Strunk's TonnetzTonal and Transformational Approaches to Chick Corea's Compositions of the 1960s (2016)Tonal and Transformational Ap…Contextual-Inversion Spaces (2011)Contextual-Inversion SpacesModeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 (2010)Modeling Diatonic, Acoustic, …P aradoxes of P itch S pace (2008)P aradoxes of P itch S paceCross-Type Transformations and the Path Consistency Condition (2007)Cross-Type Transformations an…Half-Diminished Functions and Transformations in Late Romantic Music (2001)Half-Diminished Functions and…Some Aspects of Three-Dimensional "Tonnetze" (1998)Some Aspects of Three-Dimensi…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords (1998)Moving beyond Neo-Riemannian …Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Introduction to Neo-Riemannia…Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Tonal intuitions in "Tristan und Isolde" (1990)Tonal intuitions in "Tristan …Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…A Formal Theory of Generalized Tonal Functions (1982)A Formal Theory of Generalize…The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems (1980)The Group-Theoretic Descripti…Hugo Riemann and the Birth of Modern Musical Thought (2003)Hugo Riemann and the birth of modern musical thought (2004)The Oxford Handbook of Neo-Riemannian Music Theories (2011)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)Aspects of Well-Formed Scales (1989)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)Scale Networks and Debussy (2004)A geometry of music: harmony and counterpoint in the extended common practice (2012)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)Perceptual-cognitive universals as reflections of the world (1994)Perceptual-cognitive universals as reflections of the world (2001)The Evolution of Language (2010)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)
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References

  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1998Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective305 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 1980The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems195 cited
  • 1982A Formal Theory of Generalized Tonal Functions148 cited
  • 1998Some Aspects of Three-Dimensional "Tonnetze"132 cited
  • 1998Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords115 cited
  • 1990Tonal intuitions in "Tristan und Isolde"102 cited
  • 2007Cross-Type Transformations and the Path Consistency Condition66 cited
  • 2008P aradoxes of P itch S pace45 cited
  • 2001Half-Diminished Functions and Transformations in Late Romantic Music38 cited
  • 2011Contextual-Inversion Spaces25 cited
  • 2016Tonal and Transformational Approaches to Chick Corea's Compositions of the 1960s

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23 cited
  • 2010Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 196016 cited
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