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Beyond the color: A structural insight to eosin-based lakes
14 references·9 citing·47 second hop
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this work references cited by second hop

References

  • 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples172 cited
  • 2006An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs171 cited
  • 2008Vibrational and electronic properties of painting lakes145 cited
  • 2012Combined use of Synchrotron Radiation Based Micro-X-ray Fluorescence, Micro-X-ray Diffraction, Micro-X-ray Absorption Near-Edge, and Micro-Fourier Transform Infrared Spectroscopies for Revealing an Alternative Degradation Pathway of the Pigment Cadmium Yellow in a Painting by Van Gogh132 cited
  • 2007The use of microspectrofluorimetry for the characterization of lake pigments108 cited
  • 2015Plumbonacrite Identified by X‐ray Powder Diffraction Tomography as a Missing Link during Degradation of Red Lead in a Van Gogh Painting81 cited
  • 2009Identification of red colorants in van Gogh paintings and ancient Andean textiles by microspectrofluorimetry80 cited
  • 2012Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate78 cited
  • 2015Evidence for Degradation of the Chrome Yellows in Van Gogh’s Sunflowers : A Study Using Noninvasive In Situ Methods and Synchrotron‐Radiation‐Based X‐ray Techniques69 cited
  • 2012Rethinking the History of Artists' Pigments Through Chemical Analysis48 cited
  • 2014Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van Gogh

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45 cited
  • 2014Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. Part 5. Effects of Nonoriginal Surface Coatings into the Nature and Distribution of Chromium and Sulfur Species in Chrome Yellow Paints44 cited
  • 2015Plumbonacrite Identified by X‐ray Powder Diffraction Tomography as a Missing Link during Degradation of Red Lead in a Van Gogh Painting43 cited
  • 2013Nanoscale Investigation of the Degradation Mechanism of a Historical Chrome Yellow Paint by Quantitative Electron Energy Loss spectroscopy Mapping of Chromium Species40 cited
  • Cited by

    • 2018Colours and pigments in late ukiyo-e art works: A preliminary non-invasive study of Japanese woodblock prints to interpret hyperspectral images using in-situ point-by-point diffuse reflectance spectroscopy37 cited
    • 2020Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard28 cited
    • 2020New insights into the fading mechanism of Geranium lake in painting matrix”25 cited
    • 2020Pigment analysis in four paintings by Vincent van Gogh by portable X-ray fluorescence (pXRF)25 cited
    • 2020The issue of eosin fading: A combined spectroscopic and mass spectrometric approach applied to historical lakes23 cited
    • 2023Chemical Mapping of the Degradation of Geranium Lake in Paint Cross Sections by MALDI-MSI14 cited
    • 2018Protecting and stimulating effect on the degradation of eosin lakes. Part 1: Lead white and cobalt blue14 cited
    • 2021Geranium lake pigments: The role of the synthesis on the structure and composition12 cited
    • 2021Comparing different light-degradation approaches for the degradation of crystal violet and eosin Y12 cited