Cited by

• 2017Pigment-size effect on the physico-chemical behavior of azurite-tempera dosimeters upon natural and accelerated photo aging50 cited
• 2018Advanced analytical investigation on degradation markers in wall paintings45 cited
• 2017GC/MS and proteomics to unravel the painting history of the lost Giant Buddhas of Bāmiyān (Afghanistan)40 cited
• 2021Analytical Techniques for the Preservation of Cultural Heritage: Frontiers in Knowledge and Application38 cited
• 2019A multi-analytical characterization of artists’ carbon-based black pigments29 cited
• 2018Characterization of Degraded Proteins in Paintings Using Bottom-Up Proteomic Approaches: New Strategies for Protein Digestion and Analysis of Data28 cited
• 2018Spectroscopy for contemporary art: Discovering the effect of synthetic organic pigments on UVB degradation of acrylic binder24 cited
• 2017Aquazol as a binder for retouching paints. An evaluation through analytical pyrolysis and thermal analysis23 cited
• 2021A comparative study on the extraction effects of common agents on collagen-based binders in mural paintings22 cited
• 2016Immunochemical Methods Applied to Art-Historical Materials: Identification and Localization of Proteins by ELISA and IFM21 cited
• 2016Automated characterization of varnishes photo-degradation using portable T-controlled Raman spectroscopy17 cited
• 2016Circularly polarized luminescence reveals interaction between commercial stains and protein matrices used in paintings16 cited
• 2019Discovering the effect of alum on UV photo-degradation of gelatin binder via FTIR, XPS and DFT calculation15 cited
• 2024Monitoring the aging process in egg-tempera paint films14 cited
• 2018An Enhanced GC/MS Procedure for the Identification of Proteins in Paint Microsamples14 cited
• 2020DSC on ovalbumin-hematite “tempera” paints: the role of water and pigment on protein stability12 cited