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A Voicing-Based Model for Additive Harmony
16 references·0 citing·34 second hop
A Voicing-Based Model for Additive Harmony (2017)A Voicing-Based Model for Additive HarmonyMusic in the Galant Style (2007)Music in the Galant StyleWhen Functions Collide: Aspects of Plural Function in Chromatic Music (2005)When Functions Collide: Aspec…The Oxford history of western music (2004)The Oxford history of western…Scale Networks and Debussy (2004)Scale Networks and DebussyStravinsky and the Octatonic: A Reconsideration (2002)Stravinsky and the Octatonic:…Neoclassic and Anachronistic Impulses in Twentieth-Century Music (1996)Neoclassic and Anachronistic …From Gretchen to Tristan: The Changing Role of Harmonic Sequences in the Nineteenth Century (1996)From Gretchen to Tristan: The…Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance (1994)Interval-Class Content in Equ…Debussy and the Octatonic (1991)Debussy and the OctatonicThe Music of Claude Debussy (1990)The Music of Claude DebussyThe Problem of Prolongation in Post-Tonal Music (1987)The Problem of Prolongation i…The Functional Extravagance of Chromatic Chords (1986)The Functional Extravagance o…Materials and techniques of twentieth-century music (1984)Materials and techniques of t…Aspects of Diatonic Sets (1979)Aspects of Diatonic SetsDissonant Prolongation: Theoretical and Compositional Precedents (1976)Dissonant Prolongation: Theor…Structural Hearing; Tonal Coherence in Music (1953)Structural Hearing; Tonal Coh…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Stravinsky and the Russian Traditions (1996)The Geometry of Musical Chords (2006)S cale T heory , S erial T heory and V oice L eading (2008)Schubert’s Harmonic Language and Fourier Phase Space (2015)Special Collections (2016)Towards a New Poetics of Musical Influence (1991)Outside Ravel's Tomb (1999)The Music of Louis Andriessen (2007)Tonality as Topic (2017)Expositions and Developments (1962)Problems of Pitch Organization in Stravinsky (1963)The Cambridge Companion to the Symphony (2013)The Viennese symphony 1750 to 1827 (2013)Defining the Term 'Absolute Music' Historically (2009)Musicking Bodies: Gesture and Voice in Hindustani Music (2012)Value Creation and Knowledge Loss: The Case of Cremonese Stringed Instruments (2012)The Happy Xylophone: Acoustics Affordances Restrict An Emotional Palate (2008)Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea (2012)Common and distinct quantitative characteristics of Chinese and Western music in terms of modes, scales, degrees and melody variations (2023)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Analyzing Music under the New Musicological Regime (1997)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Harmony in Haydn and Mozart (2012)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms (2006)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Music as Discourse (2008)Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009)Towards a generative syntax of tonal harmony (2011)M eyer's Anvil: Revisiting the Schema Concept (2012)
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References

  • 2007Music in the Galant Style432 cited
  • 1953Structural Hearing; Tonal Coherence in Music246 cited
  • 2004The Oxford history of western music197 cited
  • 1987The Problem of Prolongation in Post-Tonal Music162 cited
  • 1984Materials and techniques of twentieth-century music138 cited
  • 1986The Functional Extravagance of Chromatic Chords126 cited
  • 1976Dissonant Prolongation: Theoretical and Compositional Precedents115 cited
  • 1996Neoclassic and Anachronistic Impulses in Twentieth-Century Music107 cited
  • 2004Scale Networks and Debussy79 cited
  • 2002Stravinsky and the Octatonic: A Reconsideration78 cited
  • 1994Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance75 cited
  • 2005When Functions Collide: Aspects of Plural Function in Chromatic Music71 cited
  • 1990The Music of Claude Debussy61 cited
  • 1991Debussy and the Octatonic52 cited
  • 1979Aspects of Diatonic Sets51 cited
  • 1996From Gretchen to Tristan: The Changing Role of Harmonic Sequences in the Nineteenth Century

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