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The Suit Is Mine: Skhothane and the Aesthetic of the African Modern
10 references·0 citing·47 second hop
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this work references cited by second hop

References

  • 2004People as Infrastructure: Intersecting Fragments in Johannesburg2,223 cited
  • 2010Subculture1,268 cited
  • 1996Veblen Effects in a Theory of Conspicuous Consumption978 cited
  • 2003Further Considerations of Afrofuturism726 cited
  • 2001Veblen, Bourdieu, and Conspicuous Consumption546 cited
  • 2004Aesthetics of Superfluity350 cited
  • 2008Johannesburg241 cited
  • 2002Postproduction : culture as screenplay : how art reprograms the world226 cited
  • 2004Stylizing the Self: The Y Generation in Rosebank, Johannesburg151 cited
  • 2007The cinematic township: cinematic representations of the ‘township space’ and who can claim the rights to representation in post-apartheid South African cinema54 cited

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