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Cited by

• 1998Politics: Theory and Practice67 cited
• 1969Dufay, Dunstable, Plummer, A New Source59 cited
• 1976The Origins of W146 cited
• 1986Antoine Busnoys and the L'Homme armé Tradition43 cited
• 1991Petrus de Domarto'sMissa Spiritus almusand the early history of the four-voice mass in the fifteenth century41 cited
• 1962Duple Rhythm and Alternate Third Mode in the 13th Century32 cited
• 1969The Uses of the Sonata da Chiesa32 cited
• 1998Yorkist and Early Tudor England31 cited
• 1998Scotland: 1406–151330 cited
• 1984In Memoriam Dragan Plamenac: The L'Homme Arme Masses of Busnoys and Okeghem: A Comparison26 cited
• 1998Popes and Councils26 cited
• 1998Representation (Since the Thirteenth Century)24 cited
• 1982"To Worship That Celestial Sound" Motives for Analysis20 cited
• 1998The European Nobility18 cited
• 2005The German Musical Exile and the Course of American Musicology17 cited
• 1993‘Stroke’ and ‘strene’ notation in fifteenth- and sixteenth-century equal-note cantus firmi