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Kann Musiktheorie ›historisch‹ sein?
16 references·0 citing·34 second hop
Kann Musiktheorie ›historisch‹ sein? (2010)Kann Musiktheorie ›historisch‹ sein?Music Theory and Its Histories (2017)Music Theory and Its HistoriesLexikon der systematischen musikwissenschaft (2010)Lexikon der systematischen mu…Systematic Musicology and the History and Future of Western Musical Scholarship (2007)Systematic Musicology and the…Musiktheoretisches Denken und kultureller Kontext (2005)Musiktheoretisches Denken und…Hugo Riemann and the birth of modern musical thought (2004)Hugo Riemann and the birth of…Von der Musiktheorie zum Tonsatz. Zur Geschichte eines geschichtslosen Faches (2003)Von der Musiktheorie zum Tons…Chromatic Transformations in Nineteenth-Century Music (2002)Chromatic Transformations in …Authenticities: Philosophical Reflections on Musical Performance (1996)Authenticities: Philosophical…Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents (1994)Harmonic Function in Chromati…Method and Motivation in Hugo Riemann's History of Harmonic Theory (1992)Method and Motivation in Hugo…Contemplating Music: Challenges to Musicology (1989)Contemplating Music: Challeng…Werk und Werkbegriff in der Musikgeschichte (1987)Werk und Werkbegriff in der M…Geschichte der Musiktheorie (1984)Geschichte der MusiktheorieEarly Music Defended against its Devotees: A Theory of Historical Performance in the Twentieth Century (1983)Early Music Defended against …Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)Metahistory. The Historical I…Methode der Musikgeschichte (1971)Methode der MusikgeschichteThe Structure of Scientific Revolutions (1963)Landscape and memory (1995)Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music (2012)Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (2014)The Invention of Latin American Music (2020)Generalized Musical Intervals and Transformations (1988)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Varieties of Musicological Empiricism (2006)Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea (2012)Tonal prisms: iterated quantization in chromatic tonality and Ravel's ‘Ondine’ (2013)Cartesian Linguistics: A Chapter in the History of Rationalist Thought. (1968)The New Grove Dictionary of Music and Musicians (1981)Nineteenth-century harmonic theory: the Austro-German legacy (2002)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)Kritik der reinen Vernunft (1998)How the Mind Works (1999)Music, mind and mathematics: theory, reality and formality (2012)Conservatory Musicians’ Temporal Organization and Self-Regulation Processes in Preparing for a Music Exam (2020)Pitch syntax as part of an ancient protolanguage (2022)Dualist tonal space and transformation in nineteenth-century musical thought (2002)Musicology as a Political Act (1993)The Imaginary Museum of Musical Works (1994)Jazz Among the Discourses (1995)The End of Early Music (2007)Musical Communities: Rethinking the Collective in Music (2011)Stories of Experience and Narrative Inquiry (1990)Narrative configuration in qualitative analysis (1995)Methodology of the Oppressed (2010)Performance values - an artistic research perspective on music performance anxiety in classical music (2019)The Experience of Authenticity Across Three Music Disciplines; Music Therapy, Music Teaching and Music Performance (2023)From Gretchen to Tristan: The Changing Role of Harmonic Sequences in the Nineteenth Century (1996)Tonal organization in seventeenth-century music theory (2002)Experiments on Tone Color in Music and Acoustics: Helmholtz, Schoenberg, and Klangfarbenmelodie (2013)
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References

  • 1975Metahistory. The Historical Imagination in Nineteenth-Century Europe.2,647 cited
  • 1989Contemplating Music: Challenges to Musicology350 cited
  • 1983Early Music Defended against its Devotees: A Theory of Historical Performance in the Twentieth Century167 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents154 cited
  • 2004Hugo Riemann and the birth of modern musical thought84 cited
  • 2007Systematic Musicology and the History and Future of Western Musical Scholarship67 cited
  • 1992Method and Motivation in Hugo Riemann's History of Harmonic Theory63 cited
  • 1996Authenticities: Philosophical Reflections on Musical Performance55 cited
  • 2002Chromatic Transformations in Nineteenth-Century Music51 cited
  • 1984Geschichte der Musiktheorie51 cited
  • 1971Methode der Musikgeschichte41 cited
  • 1987Werk und Werkbegriff in der Musikgeschichte31 cited
  • 2010Lexikon der systematischen musikwissenschaft14 cited
  • 2005Musiktheoretisches Denken und kultureller Kontext9 cited
  • 2017Music Theory and Its Histories8 cited
  • 2003

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Von der Musiktheorie zum Tonsatz. Zur Geschichte eines geschichtslosen Faches
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