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Karawitan: Source Readings in Javanese Gamelan and Vocal Music
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Karawitan: Source Readings in Javanese Gamelan and Vocal Music (1990)Karawitan: Source Readings in Javanese Ga…Talking about Mode in Malang, East Java (2017)Talking about Mode in Malang,…SACRILEGIOUS ASPECT OF JAVANESE GAMELAN: PAST AND FUTURE (2013)SACRILEGIOUS ASPECT OF JAVANE…On the history of the musical arts in Southeast Asia (2013)On the history of the musical…The textures of Central Javanese gamelan music: Pre-notation and its discontents (2008)The textures of Central Javan…Issues of Pastiche and Illusions of Authenticity in Gamelan-Inspired Composition (2007)Issues of Pastiche and Illusi…Consciousness in performance. A Javanese theory* (2007)Consciousness in performance.…Flexing the Frame in Javanese Gamelan Music (2006)Flexing the Frame in Javanese…Music Anthropologies and Music Histories: A Preface and an Agenda (1995)Music Anthropologies and Musi…“Traditional Music Weeps” and Other Themes in the Discourse on Music, Dance and Theatre of Indonesia, Malaysia and Thailand (1995)“Traditional Music Weeps” and…Thai music in Java, Javanese music in Thailand: Two case studies (1992)Thai music in Java, Javanese …Music in Nineteenth Century Java: A Precursor to the Twentieth Century (1990)Music in Nineteenth Century J…At the Border of Sound and Silence: The Use and Function of Pathetan in Javanese Gamelan (1989)At the Border of Sound and Si…Claude Debussy: His Life and Works (1933)Enchanting Powers: Music in the World's Religions (2000)Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music (2000)The Body as a Medium of Expression. (1976)Outline of a Theory of Practice (1977)Bright Air, Brilliant Fire: On the Matter of the Mind (1992)Plato, Memory, and Performance (2005)Swaying Mountains: Moving into Stillness in a Hot Yoga Community (2014)The quest of finding the self in the Bedhaya: Unravelling the psychological significance of the Javanese sacred dance (2021)Time and the Other: How Anthropology Makes Its Object (1983)Writing Culture: The Poetics and Politics of Ethnography (1986)Tales of the Field: On Writing Ethnography (1992)Post-Apartheid South African choral music (2012)Journal of the Royal Society of Arts: 1852–1952 (1952)A guide to the gamelan (1990)Recovering the Orient: Artists, Scholars,Appropriations (1994)Hidden learning and instrumental and vocal development in a university music department (2012)Bi-musical Curricula and “Abyssal Thinking”: The Case of KM Music Conservatory, India (2019)Improving Prospective Primary School Teachers’ Skill in Playing Gamelan Degung: An Action Research in Indonesia (2019)The Traditional Music of Thailand (1976)The New Grove Dictionary of Music and Musicians (1981)The New Grove dictionary of music and musicians (2001)Interaction of Music as a Soft Power in the Dimension of Cultural Diplomacy between Indonesia and Thailand (2017)Improvisation,Thang, and Thai Musical Structure (2018)Temperament in Tuning Systems of Southeast Asia and Ancient India (2019)Musical Scales of Various Nations 1 (1885)Javanese English dictionary (2002)The Idea of Power in Javanese Culture (2019)Knowledge Transmission in Javanese Karawitan: Is It Time for an Ontological Turn? (2020)The Identity Construction Through Music Notation of The Indigenous Style of Gitar Tunggal Lampung Pesisir (2021)Organologi dan Bunyi Kendang Jawa (2022)Outline of a Theory of Practice (1980)The Invention of Tradition (1986)Dancing to a Disco Beat?: Children, Teenagers, and the Localizing of Popular Music in Bali (2010)Introduction: Global Encounters in Southeast Asian Performing Arts (2014)Pesona Tari sebagai Aset Pariwisata Budaya Indonesia (2020)Unplayed melodies: Javanese gamelan and the genesis of music theory (2005)An Approach to Musical Rhythm in Agbadza (2019)Layers and Elasticity in the Rhythm of Noh Songs (2019)Thought and Play in Musical Rhythm (2019)Speak it Louder: Asian Americans Making Music (2004)Questions of Cultural Identity (2011)Memahami Lelangan Beksan Banjaransari melalui Elemen Musikal Karawitan (2019)Cultural Matrices and the Shaping of Innovation in Central Javanese Performing Arts (1995)
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Cited by

  • 2006Flexing the Frame in Javanese Gamelan Music22 cited
  • 1995“Traditional Music Weeps” and Other Themes in the Discourse on Music, Dance and Theatre of Indonesia, Malaysia and Thailand17 cited
  • 2007Consciousness in performance. A Javanese theory*13 cited
  • 2008The textures of Central Javanese gamelan music: Pre-notation and its discontents12 cited
  • 1992Thai music in Java, Javanese music in Thailand: Two case studies11 cited
  • 1995Music Anthropologies and Music Histories: A Preface and an Agenda9 cited
  • 1989At the Border of Sound and Silence: The Use and Function of Pathetan in Javanese Gamelan7 cited
  • 2007Issues of Pastiche and Illusions of Authenticity in Gamelan-Inspired Composition6 cited
  • 2013SACRILEGIOUS ASPECT OF JAVANESE GAMELAN: PAST AND FUTURE5 cited
  • 2017Talking about Mode in Malang, East Java4 cited
  • 2013On the history of the musical arts in Southeast Asia3 cited
  • 1990Music in Nineteenth Century Java: A Precursor to the Twentieth Century3 cited

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