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Pigment and Binder Concentrations in Modern Paint Samples Determined by IR and Raman Spectroscopy
13 references·12 citing·34 second hop
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 2005On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database)208 cited
  • 2008Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy190 cited
  • 2004Analysis of modern paints182 cited
  • 2010Scientific Methods and Cultural Heritage173 cited
  • 2009ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments141 cited
  • 2007Modern paints uncovered84 cited
  • 2010An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques83 cited
  • 2016Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research82 cited
  • 2009ATR-FT-IR spectroscopy in the region of 500–230 cm−1 for identification of inorganic red pigments76 cited
  • 2013SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse's Le Bonheur de vivre (1905–6) – examination of visually distinct degradation regions66 cited
  • 2016Influence of phthalocyanine pigments on the photo-degradation of alkyd artists' paints under different conditions of artificial solar radiation

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50 cited

Cited by

  • 2019Quantitative Analysis of Minium and Vermilion Mixtures Using Low-Frequency Vibrational Spectroscopy36 cited
  • 2020Photodegradation Kinetics of Alkyd Paints: The Influence of Varying Amounts of Inorganic Pigments on the Stability of the Synthetic Binder36 cited
  • 2021Nondestructive Evaluation of Heritage Object Coatings with Four Hyperspectral Imaging Systems34 cited
  • 2020Review—Electrochemical and SERS Sensors for Cultural Heritage Diagnostics and Conservation: Recent Advances and Prospects30 cited
  • 2021SO2- and NOx- initiated atmospheric degradation of polymeric films: Morphological and chemical changes, influence of relative humidity and inorganic pigments27 cited
  • 2022An in-and-out-the-lab Raman spectroscopy study on street art murals from Reggio Emilia in Italy25 cited
  • 2023Protecting Street Art from Outdoor Environmental Threats: What Are the Challenges?20 cited
  • 2025Fourier Transform Infrared (FTIR) Database of Historical Pigments: A Comparison Between ATR-FTIR and DRIFT Modalities19 cited
  • 2022How Can Ozone and Relative Humidity Affect Artists’ Alkyd Paints? A FT-IR and Py-GC/MS Systematic Study16 cited
  • 2020Ag-Nanostars for the Sensitive SERS Detection of Dyes in Artistic Cross-Sections—Madonna della Misericordia of the National Gallery of Parma: A Case Study15 cited
  • 2022Data Fusion Approach to Simultaneously Evaluate the Degradation Process Caused by Ozone and Humidity on Modern Paint Materials14 cited
  • 2019Raman spectrometer for the automated scan of large painted surfaces13 cited