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Moving Lips: Cinema as Ventriloquism
0 references·16 citing·49 second hop
Moving Lips: Cinema as Ventriloquism (1980)Moving Lips: Cinema as VentriloquismAlgorithmic Ventriloquism: The Contested State of Voice in AI Speech Generators (2024)Algorithmic Ventriloquism: Th…Universally speaking: Lost in Translation and polyglot cinema (2021)Universally speaking: Lost in…Opera as Hypermedium (2021)Opera as HypermediumUndoing dubbing (2019)Undoing dubbingSound Design is the New Score (2019)Sound Design is the New ScoreVision, Voice, and Cinematic Presence (2018)Vision, Voice, and Cinematic …From Noise: Blurring the Boundaries of the Soundtrack (2016)From Noise: Blurring the Boun…“No One Likes to Be a Captive Audience”: Headphones and In-Flight Cinema (2016)“No One Likes to Be a Captive…Auditory Exposures: Faulkner, Eisenstein, and Film Sound (2013)Auditory Exposures: Faulkner,…Locating “la voz”: the space and sound of Spanish dubbing (2012)Locating “la voz”: the space …Gossip, Letters, Phones (2008)Gossip, Letters, Phones“Cinema at Its Source”: Synchronizing Race and Sound in the Early Talkies (2002)“Cinema at Its Source”: Synch…‘The phantom of the Opera’: the lost voice of opera in silent film (1999)‘The phantom of the Opera’: t…Image/Music/Voice: Song Dubbing in Hollywood Musicals (1995)Image/Music/Voice: Song Dubbi…Realism as a Style in Cinema Verite: A Critical Analysis of "Primary" (1991)Realism as a Style in Cinema …Music, television, and video: Historical and aesthetic considerations (1987)Music, television, and video:…Audio-vision: sound on screen (1994)Popular Songs and Comic Allusion in Contemporary Cinema (2001)Black Faces, White Voices: The Politics of Dubbing in Carmen Jones (2003)A Companion to translation studies (2007)The Work of Art in the Age of Mechanical Reproduction (2007)Dialectic of Enlightenment (2020)Image-Music-Text (1977)Powers of Horror: An Essay on Abjection (1984)Unheard melodies: narrative film music (1988)The Body and the Voice in La Muette de Portici (2003)‘Too much music’: the media of opera (2012)The operatic event: opera houses and opera audiences (2012)Visual Pleasure and Narrative Cinema (1975)Black looks: race and representation (1992)Oxford English dictionary (2004)Additive race: colorblind discourses of realism in performance capture technologies (2013)Minstrelsy speaking: Metaparodic representations of blackface and linguistic minstrelsy in Hollywood films (2017)Film Form: Essays in Film Theory (1949)The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Faulkner goes to Hollywood (2015)Music Video and the Spectator: Television, Ideology and Dream (1984)A content analysis of music videos (1985)Violence and Sex in Music Videos: TV and Rock ‘n’ Roll (1986)Music Video as Communication: Popular Formulas and Emerging Genres (1992)Visualising 1950s hits on Your Hit Parade (1998)Le clip comme forme d’expression musico-visuelle : pour une esthétique de la relation musique-images (2018)The Image Mirrored: Reflexivity and the Documentary Film. (1977)The Voice of Documentary (1983)Breaking the glass armor: neoformalist film analysis (1989)Death Every Afternoon (2003)The Screen of Fantasy (Bazin and Animals) (2003)Documentary Screens: Non-Fiction Film and Television (2004)I.—COMPUTING MACHINERY AND INTELLIGENCE (1950)We have never been modern (1994)Literature, Print Culture, and Media Technologies, 1880–1900 (2019)Translation, History and Culture (1990)Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema (1997)For an Abusive Subtitling (1999)Audio Description with Audio Subtitling for Dutch Multilingual Films: Manipulating Textual Cohesion on Different Levels (2013)Dubbing (2020)Multilingualism at the multiplex: a new audience for screen translation? (2021)Visual and Other Pleasures (1989)Regimes of language : ideologies, polities, and identities (2000)Brought to Life by the Voice: Playback Singing and Cultural Politics in South India (2021)Onscreen/Offscreen (2022)La fuerza de la palabra: reflexiones lingüísticas a partir de la etnografía shipibo-konibo (2024)Sister Outsider: Essays and Speeches (1984)The skin of the film: intercultural cinema, embodiment, and the senses (2000)
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Cited by

  • 1995Image/Music/Voice: Song Dubbing in Hollywood Musicals75 cited
  • 1991Realism as a Style in Cinema Verite: A Critical Analysis of "Primary"62 cited
  • 2002“Cinema at Its Source”: Synchronizing Race and Sound in the Early Talkies61 cited
  • 2019Sound Design is the New Score61 cited
  • 2021Universally speaking: Lost in Translation and polyglot cinema48 cited
  • 2008Gossip, Letters, Phones47 cited
  • 1999‘The phantom of the Opera’: the lost voice of opera in silent film39 cited
  • 2018Vision, Voice, and Cinematic Presence24 cited
  • 2013Auditory Exposures: Faulkner, Eisenstein, and Film Sound20 cited
  • 1987Music, television, and video: Historical and aesthetic considerations19 cited
  • 2016“No One Likes to Be a Captive Audience”: Headphones and In-Flight Cinema19 cited
  • 2019Undoing dubbing19 cited
  • 2021Opera as Hypermedium18 cited
  • 2012Locating “la voz”: the space and sound of Spanish dubbing15 cited
  • 2016From Noise: Blurring the Boundaries of the Soundtrack15 cited

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2024
Algorithmic Ventriloquism: The Contested State of Voice in AI Speech Generators
15 cited