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Tonalität in Franz Schuberts späten Sonatenformen. Überlegungen zum Kopfsatz des Klaviertrios B-Dur D 898
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References

  • 1991Die Wissenschaft der Gesellschaft1,167 cited
  • 1988Generalized Musical Intervals and Transformations494 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions377 cited
  • 1997Die Kunst in der Gesellschaft213 cited
  • 1999As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert177 cited
  • 1989The Bifocal Close and the Evolution of the Viennese Classical Style95 cited
  • 1991Towards a Reconciliation of Schenkerian Concepts with Traditional and Recent Theories of Form84 cited
  • 1987Analysis by Key: Another Look at Modulation56 cited
  • 1978„Von zwei Kulturen der Musik“49 cited
  • 1996Musical Form and Fundamental Structure: An Investigation of Schenker's 'Formenlehre'43 cited
  • 1991Phrase Rhythm in Tonal Music42 cited
  • 1928Franz Schubert in seinen Klaviersonaten33 cited
  • 1912Musikalische Formenlehre32 cited
  • 1990A Classic Turn of Phrase: Music and the Psychology of Convention30 cited
  • 1983The First Movement of Brahms's Second Symphony: The Opening Theme and Its Consequences27 cited
  • 1994

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Untersuchungen zur Entwicklung der Sonatenform in der Instrumentalmusik Franz Schuberts
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