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‘Cyclo-Photographers’, Visual Modernity, and the Development of Camera Technologies, 1880s–1890s
11 references·2 citing·29 second hop
‘Cyclo-Photographers’, Visual Modernity, and the Development of Camera Technologies, 1880s–1890s (2018)‘Cyclo-Photographers’, Visual Modernity, …Oxford Dictionary of National Biography (2014)Oxford Dictionary of National…The camera as historian: amateur photographers and historical imagination, 1885-1918 (2012)The camera as historian: amat…Photography: a cultural history (2003)Photography: a cultural histo…Popular culture and performance in the Victorian city (1999)Popular culture and performan…The engine of visualization: thinking through photography (1998)The engine of visualization: …Snapshots: The Photography of Everyday Life, 1888 to the Present (1998)Snapshots: The Photography of…Burning with desire: the conception of photography (1998)Burning with desire: the conc…All that is solid melts into air : the experience of modernity (1995)All that is solid melts into …Window shopping: cinema and the postmodern (1993)Window shopping: cinema and t…Technology and the Market: George Eastman and the Origins of Mass Amateur Photography (1975)Technology and the Market: Ge…Charles Baudelaire: A Lyric Poet in the Era of High Capitalism (1973)Charles Baudelaire: A Lyric P…DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880 s -1900 s (2021)DARKROOM NETWORKS: Mundane su…« L’appareil de l’explorateur n’existe pas. » (2021)« L’appareil de l’explorateur…Creation and Control in the Photographic Process: iPhones and the emerging fifth moment of photography (2012)Seeing things: Violence, voyeurism and the camera (2014)#selfie: digital self-portraits as commodity form and consumption practice (2015)The surveillant assemblage (2000)Supporters, Followers, Fans, and Flaneurs (2002)Artists, Aestheticisation and the Field of Gentrification (2003)Visual Culture, Photography and the Urban: An Interpretive Framework (2014)Caught in the Act: Photography on the Victorian Stage (2016)Introduction: Worlding Realisms Now (2016)I'd like to buy the world a coke: Consumptionscapes of the “less affluent world” (1996)The Fire of Desire: A Multisited Inquiry into Consumer Passion (2003)The Cinema of Attractions Reloaded (2006)White Collars, Gray Lives? The Lower Middle Class Revisited (1999)The Cambridge History of British Theatre (2004)The Cambridge History of British Theatre (2004)Portraits in painting and photography (2007)Originality, Imitation, and Plagiarism (2008)History and Cultural Memory in Neo-Victorian Fiction (2010)Austin, John L. (2012)A History of Women's Political Thought in Europe, 1700–1800 (2014)Deciphering death: a commentary on Gompertz (1825) ‘On the nature of the function expressive of the law of human mortality, and on a new mode of determining the value of life contingencies’ (2015)Why We Say “Cheese”: Producing the Smile in Snapshot Photography (2005)Selfiecity: Exploring Photography and Self-Fashioning in Social Media (2015)Modernity and Hybridity: Nature, Regeneracionismo, and the Production of the Spanish Waterscape, 1890–1930 (1999)Policy without polity? Policy analysis and the institutional void (2003)Towards a Politics of Mobility (2010)Family photographs and domestic spacings: a case study (2003)Notes from the Surface of the Image (2003)Media and the Imaginary in History (2014)
this work references cited by second hop

References

  • 1995All that is solid melts into air : the experience of modernity3,964 cited
  • 1973Charles Baudelaire: A Lyric Poet in the Era of High Capitalism1,514 cited
  • 2014Oxford Dictionary of National Biography935 cited
  • 1993Window shopping: cinema and the postmodern607 cited
  • 2003Photography: a cultural history372 cited
  • 1998Burning with desire: the conception of photography270 cited
  • 1999Popular culture and performance in the Victorian city259 cited
  • 1998The engine of visualization: thinking through photography137 cited
  • 1998Snapshots: The Photography of Everyday Life, 1888 to the Present64 cited
  • 2012The camera as historian: amateur photographers and historical imagination, 1885-191833 cited
  • 1975Technology and the Market: George Eastman and the Origins of Mass Amateur Photography13 cited

Cited by

  • 2021DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880 s -1900 s3 cited
  • 2021« L’appareil de l’explorateur n’existe pas. »1 cited

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