SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130
9 references·0 citing·21 second hop
›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 (2012)›Der leere Platz‹. Überlegungen zur Anfan…Das Wohltemperierte Klavier (2020)Das Wohltemperierte KlavierSounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music (2010)Sounding the Virtual: Gilles …Zum Begriff der Wucherung bei Pierre Boulez am Beispiel der douze notations (1945) und der notations pour orchestre (1978) (2009)Zum Begriff der Wucherung bei…The Chromatic Fourth During Four Centuries of Music (1998)The Chromatic Fourth During F…Schule musikalischen Denkens : der Cantus-firmus-Satz bei Palestrina (1994)Schule musikalischen Denkens …Differenz und Wiederholung (1992)Differenz und WiederholungLudwig van Beethoven und seine Zeit (1991)Ludwig van Beethoven und sein…A Classic Turn of Phrase: Music and the Psychology of Convention (1990)A Classic Turn of Phrase: Mus…Biographie von Ludwig van Beethoven (1909)Biographie von Ludwig van Bee…A narrative grammar of Chopin's G minor Ballade (1992)The "Wechsel der Töne" in Brahms's "Schicksalslied" (1993)Notes on the cultural significance of the sciences (1994)Deleuzes kritische Pädagogik (2004)How Can I Become a Responsible Subject? Towards a Practice-Based Ethics of Responsiveness (2009)Fernbeziehungen (2021)Time, Morality, and Humanity in Beethoven's "Pastoral" Symphony (1997)Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style (2017)Tonality (2023)Percepção musical como compreensão da obra musical: contribuições a partir da perspectiva histórico-cultural (2009)Fast/Major and Slow/Minor pairings in J.S. Bach's Well Tempered Clavier Books 1 and 2 (2011)Concerning the notable compositional kind of fugues in Bach’s “Well tempered clavier” (2018)Introduction to the Special Issues on Corpus Methods (2013)On Synergies of Schema Theory and Theory of Levels. A Perspective from Riepel’s Fonte and Monte (2015)Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung (2016)The Organ Music of J. S. Bach (1984)THE MORTE: A GALANT VOICE-LEADING SCHEMA AS EMBLEM OF LAMENT AND COMPOSITIONAL BUILDING-BLOCK (2015)Triple Counterpoint and Six‐Four Chords in Bach's Sinfonia in F Minor (2015)‘Ga, ga, ooh-la-la’: the childlike use of language in pop-rock music (2014)The Touring Musician: Repetition and Authenticity in Performance (2014)Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World (2018)
this work references cited by second hop

References

  • 1992Differenz und Wiederholung233 cited
  • 1909Biographie von Ludwig van Beethoven97 cited
  • 1998The Chromatic Fourth During Four Centuries of Music92 cited
  • 2010Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music76 cited
  • 1991Ludwig van Beethoven und seine Zeit42 cited
  • 2020Das Wohltemperierte Klavier41 cited
  • 1990A Classic Turn of Phrase: Music and the Psychology of Convention30 cited
  • 2009Zum Begriff der Wucherung bei Pierre Boulez am Beispiel der douze notations (1945) und der notations pour orchestre (1978)15 cited
  • 1994Schule musikalischen Denkens : der Cantus-firmus-Satz bei Palestrina3 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work