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Voicing Transformations of Triads
16 references·1 citing·20 second hop
Voicing Transformations of Triads (2018)Voicing Transformations of TriadsDistorted Continuity: Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings (2015)Distorted Continuity: Chromat…Contextual-Inversion Spaces (2011)Contextual-Inversion SpacesCommuting Groups and the Topos of Triads (2011)Commuting Groups and the Topo…Musical Actions of Dihedral Groups (2009)Musical Actions of Dihedral G…Generalized Voice-Leading Spaces (2008)Generalized Voice-Leading Spa…The Geometry of Musical Chords (2006)The Geometry of Musical ChordsMusic and mathematics (2006)Music and mathematicsUniform Triadic Transformations (2002)Uniform Triadic Transformatio…Some Aspects of Three-Dimensional "Tonnetze" (1998)Some Aspects of Three-Dimensi…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …A Rudimentary Geometric Model for Contextual Transposition and Inversion (1998)A Rudimentary Geometric Model…Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…A Formal Theory of Generalized Tonal Functions (1982)A Formal Theory of Generalize…The Schillinger System of Musical Composition (1947)The Schillinger System of Mus…Non-Contextual JQZ Transformations (2019)Non-Contextual JQZ Transforma…Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Parsimony and Extravagance (2005)Cross-Type Transformations and the Path Consistency Condition (2007)David Lewin and Valhalla Revisited: New Approaches to Motivic Corruption in Wagner'sRingCycle (2007)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The distance geometry of music (2008)Hugo Riemann and the Birth of Modern Musical Thought (2003)Hugo Riemann and the birth of modern musical thought (2004)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)Aspects of Well-Formed Scales (1989)Action and Agency Revisited (2013)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)A geometry of music: harmony and counterpoint in the extended common practice (2012)The Concept of Musical Grammar (1983)Pitch-Class Set Analysis: An Evaluation (1990)Bernard Herrmann (2010)A Cognitive Theory of Musical Meaning (2000)Scale Networks and Debussy (2004)
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References

  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 2006The Geometry of Musical Chords292 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 1982A Formal Theory of Generalized Tonal Functions148 cited
  • 1998Some Aspects of Three-Dimensional "Tonnetze"132 cited
  • 2002Uniform Triadic Transformations118 cited
  • 1947The Schillinger System of Musical Composition50 cited
  • 1998A Rudimentary Geometric Model for Contextual Transposition and Inversion45 cited
  • 2015Distorted Continuity: Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings36 cited
  • 2009Musical Actions of Dihedral Groups33 cited
  • 2006Music and mathematics27 cited
  • 2011Contextual-Inversion Spaces25 cited
  • 2011Commuting Groups and the Topos of Triads

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  • 2019Non-Contextual JQZ Transformations3 cited