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Música, ritual y sacrificio: Una nueva estética afrocubana en Ebbó, ópera-oratorio de Louis Aguirre
6 references·2 citing·20 second hop
Música, ritual y sacrificio: Una nueva estética afrocubana en Ebbó, ópera-oratorio de Louis Aguirre (2018)Música, ritual y sacrificio: Una nueva es…Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music (1998)Analytical Strategies and Mus…A Theory of Musical Semiotics (1994)A Theory of Musical SemioticsMusic and Discourse: Toward a Semiology of Music (1991)Music and Discourse: Toward a…América Latina en su música (1985)América Latina en su músicaEl monte : igbo, finda, ewe orisha, vititi nfinda : notas sobre las religiones, la magia, las supersticiones y el folklore de los negros criollos y el pueblo de Cuba (1975)El monte : igbo, finda, ewe o…The Structure of Atonal Music (1973)The Structure of Atonal MusicCuban Music Counterpoints (2023)Cuban Music CounterpointsArt Music and Transterritoriality: Reflections on Cuban Migrations to Europe during the 1990s (2020)Art Music and Transterritoria…Questions of Cultural Identity (1997)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Location of Culture (2012)Nations and nationalism since 1780 programme, myth, reality (1995)The Field of Cultural Production: Essays on Art and Literature (1996)Methodology of the Oppressed (2010)Ritual Piracy or Creolization with an Attitude (2005)Ritual Piracy or Creolization with an Attitude (2008)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Adorno's Mahler and the Timbral Outsider (2006)A n I magined D rama of C ompetitive O pposition in C arter 'sS crivo in V ento , with N otes on N arrative , S ymmetry , Q uantitative F lux and H eraclitus (2009)‘Out of the Air’: Judith Weir’s Emergence in 1970s Britain, or Interpreting Creative Self-Censorship (2019)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Theorizing Musical Meaning (2001)Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music (2006)Music as Discourse (2008)Action and Agency Revisited (2013)
this work references cited by second hop

References

  • 1991Music and Discourse: Toward a Semiology of Music510 cited
  • 1973The Structure of Atonal Music501 cited
  • 1994A Theory of Musical Semiotics266 cited
  • 1975El monte : igbo, finda, ewe orisha, vititi nfinda : notas sobre las religiones, la magia, las supersticiones y el folklore de los negros criollos y el pueblo de Cuba39 cited
  • 1998Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music33 cited
  • 1985América Latina en su música15 cited

Cited by

  • 2020Art Music and Transterritoriality: Reflections on Cuban Migrations to Europe during the 1990s14 cited
  • 2023Cuban Music Counterpoints5 cited

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