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Popular Music Heritage, Grass-Roots Activism and Web 2.0: The Case of the ‘Save the Palace’ Campaign
16 references·8 citing·36 second hop
Popular Music Heritage, Grass-Roots Activism and Web 2.0: The Case of the ‘Save the Palace’ Campaign (2018)Popular Music Heritage, Grass-Roots Activ…Folk Devils and Moral Panics: The Creation of Mods and Rockers (1972–2002) (2019)Folk Devils and Moral Panics:…Popular Music Scenes and Cultural Memory (2016)Popular Music Scenes and Cult…‘I Always Remember That Moment’: Peak Music Experiences as Epiphanies (2015)‘I Always Remember That Momen…Music, Style, and Aging: Growing Old Disgracefully? (2014)Music, Style, and Aging: Grow…Understanding Popular Music (2013)Understanding Popular Music“Heritage rock”: Rock music, representation and heritage discourse (2009)“Heritage rock”: Rock music, …Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0 (2008)Making Friends with Jarvis Co…Mediated Memories in the Digital Age (2007)Mediated Memories in the Digi…Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)Punk’s Not Dead: The Continui…‘Loaded’: indie guitar rock, canonism, white masculinities (2006)‘Loaded’: indie guitar rock, …Music Scenes (2004)Music ScenesIntroducing Music Scenes (2004)Introducing Music ScenesAlternative Femininities (2004)Alternative FemininitiesMusic, media and urban mythscapes: a study of the ‘Canterbury Sound’ (2002)Music, media and urban mythsc…Club Cultures: Music, Media and Subcultural Capital (1997)Club Cultures: Music, Media a…Mapping the futures: Local cultures, global change (1994)Mapping the futures: Local cu…How does materiality ‘bite back’? Investigating cassette tapes in local, translocal and virtual music scenes (2023)How does materiality ‘bite ba…Genre work: ‘How’ vs ‘what’ questions in the sociology of music culture (2022)Genre work: ‘How’ vs ‘what’ q…Social Media Data for the Conservation of Historic Urban Landscapes: Prospects and Challenges (2021)Social Media Data for the Con…Recording studios as museums? Record producers’ perspectives on German rock studios and accounts of their heritage practice (2021)Recording studios as museums?…Researching Regional and Rural Music Scenes: Toward a Critical Understanding of an Under-theorized Issue (2020)Researching Regional and Rura…Popular Music, Technology, and the Changing Media Ecosystem (2020)Popular Music, Technology, an…Online communities and their contribution to local heritage knowledge (2020)Online communities and their …Authenticity and Digital Popular Music Brands (2020)Authenticity and Digital Popu…Gramophone, film, typewriter (1999)Reassembling the Social (2005)Confronting the Challenges of Participatory Culture: Media Education for the 21st Century (2006)Making Monsters: Lady Gaga, Fan Identification, and Social Media (2013)Popular music and society (2015)An emergent algorithmic culture: The data-ization of online fandom in China (2020)On Record: Rock, Pop and the Written Word (1990)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Hiding in the Light, on Images and Things (1992)What Is Sociological about Music? (2010)The post-subcultural turn: some reflections 10 years on (2011)Musical taste and patterns of symbolic exclusion in the United States 1993–2012: Generational dynamics of differentiation and continuity (2015)GLOBALISATION AS HYBRIDISATION (1994)Spatiality and the New Social Studies of Childhood (2000)The new mobilities paradigm for a live sociology (2014)Policing the Crisis: Mugging, the State, and Law and Order (1978)Enacting the social (2004)From the Achievement Gap to the Education Debt: Understanding Achievement in U.S. Schools (2006)The Yaoi Phenomenon in Thailand and Fan/Industry Interaction (2019)Music Scenes as Infrastructures: From Live Venues to Algorithmic Data (2020)Online prosumer convergence: Listening, creating and sharing music on YouTube and TikTok (2023)Objects of Affect: Photography Beyond the Image (2012)Extended Self in a Digital World: Table 1. (2013)How the World Changed Social Media (2016)The management of projects and product experimentation: examples from the music industry (2005)Musical exploration via streaming services: The Norwegian experience (2016)The Cambridge History of Music Criticism (2019)Classification as Culture: Types and Trajectories of Music Genres (2008)Soundscapes: Toward a Sounded Anthropology (2010)Translocality: Concepts, Applications and Emerging Research Perspectives (2013)Consolidating the music scenes perspective (2004)Gangs and gangsta rap in Chicago: A microscenes perspective (2013)Market practices in countercultural market emergence (2015)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Signals in Social Supernets (2007)The commons: Infrastructures for troubling times* (2016)
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References

  • 2019Folk Devils and Moral Panics: The Creation of Mods and Rockers (1972–2002)3,595 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 2007Mediated Memories in the Digital Age776 cited
  • 1994Mapping the futures: Local cultures, global change535 cited
  • 2004Music Scenes437 cited
  • 2006Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans201 cited
  • 2004Introducing Music Scenes194 cited
  • 2013Understanding Popular Music163 cited
  • 2016Popular Music Scenes and Cultural Memory150 cited
  • 2008Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0135 cited
  • 2009“Heritage rock”: Rock music, representation and heritage discourse134 cited
  • 2014Music, Style, and Aging: Growing Old Disgracefully?115 cited
  • 2002Music, media and urban mythscapes: a study of the ‘Canterbury Sound’107 cited
  • 2006‘Loaded’: indie guitar rock, canonism, white masculinities106 cited
  • 2004Alternative Femininities105 cited
  • 2015‘I Always Remember That Moment’: Peak Music Experiences as Epiphanies

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98 cited

Cited by

  • 2020Online communities and their contribution to local heritage knowledge24 cited
  • 2021Social Media Data for the Conservation of Historic Urban Landscapes: Prospects and Challenges13 cited
  • 2020Researching Regional and Rural Music Scenes: Toward a Critical Understanding of an Under-theorized Issue11 cited
  • 2020Popular Music, Technology, and the Changing Media Ecosystem10 cited
  • 2023How does materiality ‘bite back’? Investigating cassette tapes in local, translocal and virtual music scenes7 cited
  • 2022Genre work: ‘How’ vs ‘what’ questions in the sociology of music culture5 cited
  • 2020Authenticity and Digital Popular Music Brands4 cited
  • 2021Recording studios as museums? Record producers’ perspectives on German rock studios and accounts of their heritage practice4 cited