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Formfunktionen der Sonatenform. Ein Beitrag zur Sonatentheorie auf der Grundlage einer Kritik an William E. Caplins Verständnis von Formfunktionen
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Formfunktionen der Sonatenform. Ein Beitrag zur Sonatentheorie auf der Grundlage einer Kritik an William E. Caplins Verständnis von Formfunktionen (2018)Formfunktionen der Sonatenform. Ein Beitr…Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung (2016)Wie wissenschaftlich muss Mus…Formal functions in perspective: essays on musical form from Haydn to Adorno (2016)Formal functions in perspecti…The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)The ‘Continuous Exposition’ a…Schemata und Systemcharakter (2015)Schemata und SystemcharakterOn Synergies of Schema Theory and Theory of Levels. A Perspective from Riepel’s Fonte and Monte (2015)On Synergies of Schema Theory…HARMONY AND CADENCE IN GJERDINGEN’S “PRINNER” (2015)HARMONY AND CADENCE IN GJERDI…Expanding the Sentence: Intersections of Theory, History, and Aesthetics (2015)Expanding the Sentence: Inter…Beyond "Harmony". The Cadence in the Partitura Tradition (2015)Beyond "Harmony". The Cadence…Historisches Panoptikum der Satzmodelle (2007)Historisches Panoptikum der S…Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…Beyond the Beethoven Model: Sentence Types and Limits (2004)Beyond the Beethoven Model: S…Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Studies on the origin of harmonic tonality (1991)Studies on the origin of harm…Die Wissenschaft der Gesellschaft (1991)Die Wissenschaft der Gesellsc…A Classic Turn of Phrase: Music and the Psychology of Convention (1990)A Classic Turn of Phrase: Mus…L'Aria di Fiorenza, id est, Il Ballo del Gran Duca (1975)L'Aria di Fiorenza, id est, I…Versuch einer Anleitung zur Composition (1969)Musical Form and Musical Performance (1971)Phrase Rhythm in Tonal Music (1991)The Structure, Function, and Genesis of the Prechorus (2011)Sonata Form and the Problem of Second‐Theme Beginnings (2013)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Classical Form (1998)Elements of Sonata Theory (2006)Sonata Theory, Secondary Themes and Continuous Expositions: Dialogues with Form‐Functional Theory (2016)Rethinking Mendelssohn (2020)Cadence (2024)Explaining Music: Essays and Explorations (1974)A classic turn of phrase: music and the psychology of convention (1988)Schema Theory as a Construction Grammar (2015)Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid (2019)Felix Diergarten / Markus Neuwirth, Formenlehre. Ein Lese- und Arbeitsbuch zur Instrumentalmusik des 18. und 19. Jahrhunderts, Laaber: Laaber 2019 (2020)The Classical Cadence: Conceptions and Misconceptions (2004)Music in the Galant Style (2007)Gjerdingen’s Schemata Reexamined (2018)Tonality (2023)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)Understanding Global Migration: A Social Transformation Perspective (2010)Understanding Global Migration: A Social Transformation Perspective (2015)Praxeologische Wissenssoziologie (2017)Schoenberg’s Sentence (2018)The Cambridge Haydn Encyclopedia (2019)A “Proto-Theme” in Some of J. S. Bach’s Fugal Works (2020)Brahms's Elegies (2019)The First Movement of Mahler’s Tenth Symphony and the “Burden” of Romantic Form (2019)Strophic and Sonata Form in the Italian Opera Aria of the 1720s and the 1730s (2021)Introduction to the Special Issues on Corpus Methods (2013)The Semantics of Musical Topoi (2015)Towards a generative syntax of tonal harmony (2011)
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References

  • 1991Die Wissenschaft der Gesellschaft1,167 cited
  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven699 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 2015The ‘Continuous Exposition’ and the Concept of Subordinate Theme88 cited
  • 2004Beyond the Beethoven Model: Sentence Types and Limits60 cited
  • 2015HARMONY AND CADENCE IN GJERDINGEN’S “PRINNER”48 cited
  • 2015Expanding the Sentence: Intersections of Theory, History, and Aesthetics31 cited
  • 1990A Classic Turn of Phrase: Music and the Psychology of Convention30 cited
  • 2015On Synergies of Schema Theory and Theory of Levels. A Perspective from Riepel’s Fonte and Monte26 cited
  • 2016Formal functions in perspective: essays on musical form from Haydn to Adorno23 cited
  • 1991Studies on the origin of harmonic tonality14 cited
  • 2016Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung8 cited
  • 2007Historisches Panoptikum der Satzmodelle6 cited
  • 2015Schemata und Systemcharakter5 cited
  • 1975L'Aria di Fiorenza, id est, Il Ballo del Gran Duca

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3 cited
  • 2015Beyond "Harmony". The Cadence in the Partitura Tradition3 cited
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