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This paper explores how planning practices contribute to the reification of the ‘state’ through the case of Singapore’s new urban waterfront, Marina Bay. Instead of assuming Singapore’s state-led planning model as inherently ‘top-down’ and ‘long-term’, it disaggregates the planning process into three specific modes of abstraction – calculation, historicity and imagination – and analyzes the role of each in reifying the ‘state’ as the singular author of history and development. The case contributes to the literature by illuminating how ‘states’ can appear to have different forms, spatialities, agencies and ultimately consequences, without compartmentalizing planning models based primarily on ideological or geopolitical divisions.
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Stored only when both papers are in the corpus — 3 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.