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Festivalisation: Patterns and Limits
2 references·3 citing·23 second hop
Festivalisation: Patterns and Limits (2015)Festivalisation: Patterns and LimitsLa « tablature » des goûts musicaux : un modèle de structuration des préférences et des jugements (2009)La « tablature » des goûts mu…Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Understanding audience segmen…A comment on: arts festivals, urban tourism and cultural policy (2019)A comment on: arts festivals,…Festivalisation of cultural production: experimentation, spectacularisation and immersion (2016)Festivalisation of cultural p…Festivalisation of Cultural Production (2015)Festivalisation of Cultural P…The Long Revolution (1961)Club cultures: music, media and subcultural capital (1996)Performing Rites (1996)Tablatures of musical tastes in contemporary France: distinction without intolerance (2012)L’enseignement de la musique, entre institution scolaire et conservatoires. Éclairages mutuels des sociologies de l’éducation et de la culture (2013)Tastes of our time: analysing age cohort effects in the contemporary distribution of music tastes (2020)Reproduction in Education, Society and Culture (1978)Reproduction in Education, Society and Culture (1979)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Culture, Class, and Connections (1996)How Cultural Tastes Shape Personal Networks (2006)Distinction: A Social Critique of the Judgement of Taste* (2018)Welcome to the experience economy. (1998)The Experience Economy (2012)Rabelais and his world (2020)Cycles in Symbol Production: The Case of Popular Music (1975)The Ritual Process: Structure and Anti-Structure (1976)Arts Festivals and the City (2005)Ceremonies of Pleasure (2018)REINVENTING THE IMAGE OF CITIES USING THE ELEMENT OF WATER: INTERNATIONAL CASE STUDIES OF WATERFRONT URBAN DEVELOPMENTS (2022)Social Stratification and Cultural Consumption: Music in England (2006)Building a global urban science (2018)SOCIO-ECONOMIC IMPACTS OF FESTIVALS AND EVENTS: A CASE STUDY OF THE MZANSI GOLDEN ECONOMY PROGRAMME IN SOUTH AFRICA (2019)
this work references cited by second hop

References

  • 1992Understanding audience segmentation: From elite and mass to omnivore and univore1,183 cited
  • 2009La « tablature » des goûts musicaux : un modèle de structuration des préférences et des jugements91 cited

Cited by

  • 2019A comment on: arts festivals, urban tourism and cultural policy16 cited
  • 2016Festivalisation of cultural production: experimentation, spectacularisation and immersion9 cited
  • 2015Festivalisation of Cultural Production5 cited

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