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Cited by

• 2018The Fandom of Hallyu, A Tribe in the Digital Network Era: The Case of ARMY of BTS43 cited
• 2018Wrestling with or Embracing Digitization in the Music Industry: The Contrasting Business Strategies of J-pop and K-pop24 cited
• 2021Success Factors and Sustainability of the K-Pop Industry: A Structural Equation Model and Fuzzy Set Analysis18 cited
• 2015The South Korean Music Industry: A Literature Review16 cited
• 2020Comparative Discourse on J-pop and K-pop: Hybridity in Contemporary Local Music16 cited
• 2018Purchasing Behavior of K-pop Idol Goods Consumers in Korea14 cited
• 2022Diasporic Hallyu13 cited
• 2017Amber Liu, K-Pop Tomboy: Reshaping Femininity in Mainstream K-Pop13 cited
• 2024Exploring cultural hybridity, questioning cultural appropriation: Peruvian fans’ responses to Latin tropes in K-pop9 cited
• 2016The globalization of K-pop: The interplay of external and internal forces8 cited