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Clothing fashion technologies, from yarn to clothing, are some of the oldest cultural technologies of humanity, integrated into both the public and domestic space of life [1]. The artistic and cultural imaginary, predominantly feminine, has found an ideal place of expression, because the tradition of social and cultural praxis has a millenary individuality and continuity [2]. In the 21st century, in a context of globalization of economies and technologies, cultural technologies strike a discordant note because they work based on cultural icons, and specific societal imaginary [3].
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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