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"Melodramma," Market and Modernity: Opera in Late Nineteenth-Century Italy
11 references·0 citing·33 second hop
"Melodramma," Market and Modernity: Opera in Late Nineteenth-Century Italy (2015)"Melodramma," Market and Modernity: Opera…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Opera and Modern Spectatorship in Late Nineteenth-Century Italy (2014)Opera and Modern Spectatorshi…The Oxford Handbook of the Italian Economy Since Unification (2013)The Oxford Handbook of the It…Listening and longing: music lovers in the age of Barnum (2012)Listening and longing: music …To Please the Public: Composers and Audiences in Nineteenth-Century Italy (2006)To Please the Public: Compose…Opera Production and Its Resources (1999)Opera Production and Its Reso…The Sight of Sound: Music Representation and the History of the Body (1994)The Sight of Sound: Music Rep…Opera in America: A Cultural History (1994)Opera in America: A Cultural …Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities. Reflect…Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna (1976)Music and the Middle Class: T…Letteratura e vita nazionale (1966)Letteratura e vita nazionaleAn Evolutionary Theory of Economic Change. (1983)Some Tests of Specification for Panel Data: Monte Carlo Evidence and an Application to Employment Equations (1991)Testing for unit roots in heterogeneous panels (2003)Determinants of legislative turnover in Western Europe, 1945–2015 (2017)The effects of disruptive innovations on productivity (2017)Entrepreneurial ecosystems and economic resilience at local level (2021)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)“Critical Ethnocentrism” and the Ethnology of Ernesto De Martino (1993)Tradition: Three Traditions (2009)National and post-national discourses and the construction of linguistic identities by students of Albanian origin in Greece (2015)Opera and Absolutism in Restoration Italy, 1815–1860 (2006)The Puccini Problem: Opera, Nationalism, and Modernity (2007)Writing about Popular Music (2019)Fritz Reiner, maestro and martinet (2006)American Foundations: Roles and Contributions (2010)As Seen on TV: Putting the NBC Opera on Stage (2018)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Performing the (Sound)World (2000)Class, Control, and Classical Music (2019)Listening through Reading: Musical Literacy and the Concert Audience (1992)The Cambridge Urban History of Britain (2000)Urban growth and economic change: from the late seventeenth century to 1841 (2000)Disjuncture and Difference in the Global Cultural Economy (1990)Discourse Analysis as Theory and Method (2002)Decolonization is not a metaphor (2012)(De)railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks (2018)Accounting and music: The role of Giuseppe Verdi in shaping the nineteenth-century culture industry (2021)Opera as Hypermedium (2021)Make Some Noise, Drari : Embodied Listening and Counterpublic Formations in Moroccan Hip Hop (2014)The Romantic Literary Lecture in Britain (2019)Music and Citizenship (2023)
this work references cited by second hop

References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1994The Sight of Sound: Music Representation and the History of the Body330 cited
  • 2013The Oxford Handbook of the Italian Economy Since Unification194 cited
  • 1976Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna177 cited
  • 1966Letteratura e vita nazionale164 cited
  • 2012Listening and longing: music lovers in the age of Barnum68 cited
  • 2014Opera and Modern Spectatorship in Late Nineteenth-Century Italy58 cited
  • 1994Opera in America: A Cultural History58 cited
  • 1999Opera Production and Its Resources57 cited
  • 2006To Please the Public: Composers and Audiences in Nineteenth-Century Italy40 cited

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