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Islamic Religion and Death Metal Music in Indonesia
16 references·1 citing·32 second hop
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2002The field of Cultural Production2,461 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 2009Heavy Metal: The Music And Its Culture403 cited
  • 2008Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001138 cited
  • 2004The ‘Failure’ of Youth Culture103 cited
  • 1999Lords of Chaos: The Bloody Rise of the Satanic Metal Underground103 cited
  • 2021Making scenes : reggae, punk and death metal in 1990s Bali84 cited
  • 2012The Globalization of Metal78 cited
  • 2003Gesturing elsewhere: the identity politics of the Balinese death/thrash metal scene69 cited
  • 2012Extreme music for extreme people? Norwegian black metal and transcendent violence67 cited
  • 2011“Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music154 cited
  • 2012Musical Style, Ideology, and Mythology in Norwegian Black Metal35 cited
  • 2012Affective Overdrive, Scene Dynamics, and Identity in the Global Metal Scene33 cited
  • 2017‘Nevermind the jahiliyyah, here’s the hijrahs’: Punk and the religious turn in the contemporary Indonesian underground scene27 cited

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  • 2012Religion in Popular Music or Popular Music as Religion? A Critical Review of Scholarly Writing on the Place of Religion in Metal Music and Culture22 cited
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    • 2022Masculinity and underground music scene participation across time: A case study from Indonesia4 cited