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Multi technique and multiscale approaches to the study of ancient and modern art objects on wooden and canvas support

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References

2000Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings172 cited
1998Comparative chromatographic and mass-spectrometric studies of triterpenoid varnishes: fresh material and aged samples from paintings85 cited
2012Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review62 cited
2014Characterization of gypsum and anhydrite ground layers in 15th and 16th centuries Portuguese paintings by Raman Spectroscopy and other techniques50 cited
2015On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop33 cited
2013An innovative, interdisciplinary, and multi‐technique study of gilding and painting techniques in the decoration of the main altarpiece of Miranda do Douro Cathedral (XVII‐XVIIIth centuries, Portugal)29 cited
2016A multidisciplinary approach to the study of the brightening effects of white chalk ground layers in 15 th and 16 th century paintings21 cited
2013Characterization of glue sizing under calcium carbonate ground layers in Flemish and Luso-Flemish painting – analysis by SEM-EDS, μ-XRD and μ-Raman spectroscopy15 cited
2015Calcium sulfate fillers and binders in Portuguese 15 th and 16 th centuries: Ground layers from a family painting workshop — Study by multianalytical spectroscopic techniques14 cited
2013Characterization of Glue Sizing Layers in Portuguese Wood Paintings from the 15th and 16th Centuries by SEM Secondary Electron Images and μ-FTIR10 cited

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