References

• 1988Generalized Musical Intervals and Transformations494 cited
• 1991Introduction to Post-Tonal Theory277 cited
• 2007Generalized Musical Intervals and Transformations159 cited
• 1961The Source Set and Its Aggregate Formations75 cited
• 1950Schoenberg and His School; The Contemporary Stage of the Language of Music72 cited
• 1988Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One52 cited
• 2000Political and religious ideas in the works of Arnold Schoenberg40 cited
• 2011Some Aspects of Twelve-Tone Composition 195531 cited
• 1999The Arnold Schoenberg Companion20 cited
• 1992Mosaic Polyphony: Formal Balance, Imbalance, and Phrase Formation in the Prelude of Schoenberg's Suite, Op. 2516 cited
• 1982Schoenberg's Twelve-Tone Harmony: The Suite Op. 29 and the Compositional Sketches12 cited
• 1993Arnold Schoenberg: Notes, Sets, Forms11 cited
• 2002Political and Religious Ideas in the Works of Arnold Schoenberg10 cited
• 2017Schoenberg and Liszt: Hexatonic Collections across the Great Tonal Divide3 cited

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