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White Skin/Brown Masks: The Case of ‘White’ Actresses From Silent to Early Sound Period in Bombay
16 references·0 citing·34 second hop
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References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 1996Women in Modern India424 cited
  • 1990Lifestyle as Resistance: The Case of the Courtesans of Lucknow, India174 cited
  • 2006Cinema at the End of Empire133 cited
  • 2009Wanted Cultured Ladies Only!114 cited
  • 2000Colonial India and the Making of Empire Cinema: Image, Ideology and Identity111 cited
  • 2009Islamicate Cultures of Bombay Cinema73 cited
  • 1999Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre69 cited
  • 2005Cinema at the End of Empire : A Politics of Transition in Britain and India53 cited
  • 2007Ruins and Ghosts: The Domestic Uncanny and the Materialization of Anglo‐Indian Genealogies in Kharagpur40 cited
  • 1988The Virangana in North Indian History Myth and Popular Culture38 cited
  • 1994Light of Asia : Indian silent cinema, 1912-193436 cited
  • 2013Bombay before Bollywood: Film City Fantasies35 cited
  • 2019Urdu, Awadh and the Tawaif: the Islamicate roots of Hindi cinema24 cited
  • 2006The Modern Girl in India in the Interwar Years: Interracial Intimacies, International Competition, and Historical Eclipsing22 cited

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  • 2005Not Quite (Pearl) White: Fearless Nadia, queen of the stunts16 cited
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