SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
“It's a Fake!”: Early and Late Incredulous Viewers, Trick Effects, and CGI
16 references·0 citing·27 second hop
“It's a Fake!”: Early and Late Incredulous Viewers, Trick Effects, and CGI (2018)“It's a Fake!”: Early and Late Incredulou…Making Believe (2019)Making BelieveThe visible and the invisible: From ‘tricks’ to ‘effects’ (2015)The visible and the invisible…The eyes have it: cinema and the reality effect (2014)The eyes have it: cinema and …Digital imaging in popular cinema (2013)Digital imaging in popular ci…Digital Visual Effects in Cinema: The Seduction of Reality (2011)Digital Visual Effects in Cin…Production Culture: Industrial Reflexivity and Critical Practice in Film and Television (2008)Production Culture: Industria…Performing Illusions : Cinema, Special Effects and the Virtual Actor (2008)Performing Illusions : Cinema…American cinema's transitional era: audiences, institutions, practices (2005)American cinema's transitiona…Encyclopedia of Early Cinema (2004)Encyclopedia of Early CinemaSpecial effects: still in search of wonder (2002)Special effects: still in sea…Hollywood spectatorship: changing perceptions of cinema audiences (2002)Hollywood spectatorship: chan…Babel and Babylon: Spectatorship in American Silent Film. (1992)Babel and Babylon: Spectators…The transformation of cinema, 1907-1915 (1991)The transformation of cinema,…The emergence of cinema : the American screen to 1907 (1990)The emergence of cinema : the…The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)The Classical Hollywood Cinem…Humbug : The Art of P. T. Barnum (1973)Humbug : The Art of P. T. Bar…Resource Partitioning, the Founding of Specialist Firms, and Innovation: The American Feature Film Industry, 1912–1929 (2000)Uniform prices for differentiated goods: The case of the movie-theater industry (2007)Translation goes to the Movies (2008)Co-Evolution of Entrepreneurial Careers, Institutional Rules and Competitive Dynamics in American Film, 1895-1920 (2001)Capabilities in Motion: New Organizational Forms and the Reshaping of the Hollywood Movie Industry* (2003)In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film (1997)Modernity, Disenchantment, and the Ironic Imagination (2004)Removing the Spin: Toward a New Theory of Public Relations History (2009)“The Swarming of Life”: Moving Images, Education, and Views through the Microscope (2011)The secret life of plants: Visualizing vegetative movement, 1880–1903 (2012)Visual Mis- and Disinformation, Social Media, and Democracy (2021)Alternative Shakespeares (1987)Anthropology and Mass Media (1993)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)Hidden Surface Problems: On the Digital Image as Material Object (2015)Flickers of film: nostalgia in the time of digital cinema (2016)Artificial intelligence in fiction: between narratives and metaphors (2021)A short history of superimposition: From spirit photography to early cinema (2012)The Empathic Screen (2019)T. S. Eliot and Cinema (2006)"Wait for the Next Pictures": Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips (2009)New Cinema Histories (2011)Access: Reflections on studying up in Hollywood (2010)Academics, Cultural Workers and Critical Labour Studies (2013)House of Netflix: Streaming media and digital lore (2018)
this work references cited by second hop

References

  • 1986The Classical Hollywood Cinema: Film Style & Mode of Production to 1960665 cited
  • 1991The transformation of cinema, 1907-1915543 cited
  • 1992Babel and Babylon: Spectatorship in American Silent Film.408 cited
  • 2008Production Culture: Industrial Reflexivity and Critical Practice in Film and Television379 cited
  • 1990The emergence of cinema : the American screen to 1907174 cited
  • 2004Encyclopedia of Early Cinema171 cited
  • 2005American cinema's transitional era: audiences, institutions, practices134 cited
  • 2008Performing Illusions : Cinema, Special Effects and the Virtual Actor109 cited
  • 1973Humbug : The Art of P. T. Barnum107 cited
  • 2002Special effects: still in search of wonder82 cited
  • 2011Digital Visual Effects in Cinema: The Seduction of Reality70 cited
  • 2002Hollywood spectatorship: changing perceptions of cinema audiences45 cited
  • 2019Making Believe43 cited
  • 2013Digital imaging in popular cinema31 cited
  • 2015The visible and the invisible: From ‘tricks’ to ‘effects’23 cited
  • 2014The eyes have it: cinema and the reality effect

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

22 cited

Cited by

No citing works inside the corpus for this window.