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The Address of the Ass: D-BOX Motion Code, Personalized Surround Sound, and Focalized Immersive Spectatorship
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The Address of the Ass: D-BOX Motion Code, Personalized Surround Sound, and Focalized Immersive Spectatorship (2019)The Address of the Ass: D-BOX Motion Code…Tactile Eye (2009)Tactile EyeGaming: Essays On Algorithmic Culture (2006)Gaming: Essays On Algorithmic…New Vocabularies in Film Semiotics (2005)New Vocabularies in Film Semi…Parables for the virtual: movement, affect, sensation (2002)Parables for the virtual: mov…Parables for the Virtual (2002)Parables for the VirtualThe skin of the film: intercultural cinema, embodiment, and the senses (2000)The skin of the film: intercu…Film Theory And Criticism: Introductory Readings (1999)Film Theory And Criticism: In…5. ‘Visual Pleasure and Narrative Cinema’ (1999)5. ‘Visual Pleasure and Narra…Audio-vision: sound on screen (1994)Audio-vision: sound on screenThe cinematic body (1993)The cinematic bodySound theory/sound practice (1993)Sound theory/sound practiceThe Address of the Eye (1992)The Address of the EyeThe Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…Narrative, Apparatus, Ideology: A Film Theory Reader (1986)Narrative, Apparatus, Ideolog…Narrative Discourse: An Essay in Method (1980)Narrative Discourse: An Essay…Ideological Effects of the Basic Cinematographic Apparatus (1974)Ideological Effects of the Ba…Phénoménologie de la perception (1976)Unheard melodies: narrative film music (1988)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Qualitative Research in Sociology (2004)Soundscapes: Toward a Sounded Anthropology (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Culture, Globalization, Mediation (2004)Body, Image and Affect in Consumer Culture (2010)On Touching—the Inhuman That Therefore I Am (2012)Les luttes pour la visibilité (2005)What's the Point of an Index? or, Faking Photographs (2008)Embodying movies: Embodied simulation and film studies (2012)Moving image theory: ecological considerations (2005)Techniques of Inattention: The Mediality of Loudspeakers in Nigeria (2014)Strategy Retold: Toward a Narrative View of Strategic Discourse (1997)Basic Elements of Narrative (2009)A Narrative Policy Framework: Clear Enough to Be Wrong? (2010)The New Film History as Media Archaeology (2005)The Cinema of Attractions Reloaded (2006)Aesthetics as Philosophy of Perception (2016)Intensities of feeling: towards a spatial politics of affect (2004)Emotions and Social Movements: Twenty Years of Theory and Research (2011)The Turn to Affect: A Critique (2011)Collective Feelings (2004)Affective atmospheres (2009)Beyond Play (2007)Making virtual worlds: Linden Lab and Second Life (2009)Video Game Genre, Evolution and Innovation (2009)Is There a Field Called Sound Culture Studies? And Does It Matter? (2005)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Sonic geographies (2013)
this work references cited by second hop

References

  • 2002Parables for the Virtual4,608 cited
  • 2002Parables for the virtual: movement, affect, sensation3,771 cited
  • 1980Narrative Discourse: An Essay in Method2,019 cited
  • 1994Audio-vision: sound on screen1,584 cited
  • 2000The skin of the film: intercultural cinema, embodiment, and the senses1,527 cited
  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 1992The Address of the Eye1,199 cited
  • 1974Ideological Effects of the Basic Cinematographic Apparatus607 cited
  • 2006Gaming: Essays On Algorithmic Culture603 cited
  • 1993Sound theory/sound practice570 cited
  • 1986Narrative, Apparatus, Ideology: A Film Theory Reader567 cited
  • 1999Film Theory And Criticism: Introductory Readings550 cited
  • 2009Tactile Eye501 cited
  • 19995. ‘Visual Pleasure and Narrative Cinema’445 cited
  • 1993The cinematic body303 cited
  • 2005New Vocabularies in Film Semiotics289 cited

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