References

• 2006Elements of Sonata Theory644 cited
• 1998Classical Form529 cited
• 2013Analyzing Classical Form: An Approach for the Classroom123 cited
• 2015The ‘Continuous Exposition’ and the Concept of Subordinate Theme87 cited
• 1979Schubert's Sonata Form and Brahms's First Maturity (II)82 cited
• 1987The “expanded cadential progression”: A category for the analysis of classical form†75 cited
• 1978Schubert's Sonata Form and Brahms's First Maturity70 cited
• 2018Beyond the Classical Cadence: Thematic Closure in Early Romantic Music66 cited
• 1993Schubert's Experiments with Sonata Form: Formal-Tonal Design versus Underlying Structure52 cited
• 2015Formal Type and Formal Function in the Postclassical Piano Concerto52 cited
• 2017Thematic and Non-Thematic Textures in Schubert’s Three-Key Expositions44 cited
• 1988Sources of the Three-Key Exposition36 cited
• 2014When Structure and Design Collide: The Three-Key Exposition Revisited32 cited
• 2015Formal Functions in Perspective32 cited
• 2015Schubert’s “Deflected-Cadence” Transitions and the Classical Style21 cited

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