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Fotografie der Performance
8 references·1 citing·26 second hop
Fotografie der Performance (2018)Fotografie der Performance“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence (2011)“The Artist is Present”: Arti…Being watched: Yvonne Rainer and the 1960s (2009)Being watched: Yvonne Rainer …The Performativity of Performance Documentation (2006)The Performativity of Perform…Postproduction : culture as screenplay : how art reprograms the world (2002)Postproduction : culture as s…“Presence”in Absentia (1997)“Presence”in AbsentiaBorn under Saturn : the character and conduct of artists, a documented history from antiquity to the French Revolution (1969)Born under Saturn : the chara…Some retrospective notes on a dance for 10 people and 12 mattresses called “Parts of Some Sextets,” performed at the Wadsworth Atheneum, Hartford, Connecticut, and Judson Memorial Church, New York, in March, 1965 (1965)Some retrospective notes on a…Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit : drei Studien zur Kunstsoziologie (1963)Das Kunstwerk im Zeitalter se…Rechtsfälle (2021)RechtsfälleUnmarked: The Politics of Performance (1994)Marina Abramović'sSeven Easy Pieces:Critical Documentation Strategies for Preserving Art's History (2008)Between narratives and lists: performing digital intangible heritage through global media (2013)The idea of history (1946)How To Do Things With Words (1975)Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory (1988)Remembering Feminist Remimesis: A Riddle in Three Parts (2014)Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency (2015)Materializing Memory in Art and Popular Culture (2016)Performance Analysis and Popular Music: A Manifesto (2004)Dancing With Drones (2019)Creative mythconceptions: A closer look at the evidence for the "mad genius" hypothesis. (2009)Looking Back, Looking Forward: Arts-Based Careers and Creative Work (2013)Artists and Signatures in Ancient Greece (2015)On the rate of return in the art market: Survey and evaluation (1995)On the return of art investment return analyses (1995)Creative Crowds. Perspektiven der Fanforschung im deutschsprachigen Raum (2014)The cultural and creative industries: a review of the literature (2007)Exhibiting Cinema in Contemporary Art (2013)Improvisation and Social Aesthetics (2017)Working and Dancing: A Response to Monroe Beardsley's “What Is Going On in a Dance?” (1982)Practicing Trio A (2012)Screendance Self/portraits (2017)Dance and the Gallery: Curation as Revision (2015)Displacing Vision: Contact Improvisation, Anarchy, and Empathy (2018)Over and Over and Over Again (2022)
this work references cited by second hop

References

  • 2006The Performativity of Performance Documentation311 cited
  • 1963Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit : drei Studien zur Kunstsoziologie230 cited
  • 2002Postproduction : culture as screenplay : how art reprograms the world226 cited
  • 1997“Presence”in Absentia180 cited
  • 2011“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence131 cited
  • 1969Born under Saturn : the character and conduct of artists, a documented history from antiquity to the French Revolution103 cited
  • 2009Being watched: Yvonne Rainer and the 1960s80 cited
  • 1965Some retrospective notes on a dance for 10 people and 12 mattresses called “Parts of Some Sextets,” performed at the Wadsworth Atheneum, Hartford, Connecticut, and Judson Memorial Church, New York, in March, 196565 cited

Cited by

  • 2021Rechtsfälle24 cited

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