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Cycling in Tonal Space. Neo-Riemannian Theory in der dritten Dimension
6 references·1 citing·18 second hop
Cycling in Tonal Space. Neo-Riemannian Theory in der dritten Dimension (2019)Cycling in Tonal Space. Neo-Riemannian Th…Audacious euphony: Chromaticism and the triad's second nature (2013)Audacious euphony: Chromatici…Some Aspects of Three-Dimensional "Tonnetze" (1998)Some Aspects of Three-Dimensi…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords (1998)Moving beyond Neo-Riemannian …Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Meta-Variations, Part IV: Analytic Fallout (I) (1972)Meta-Variations, Part IV: Ana…Zur Visualisierung harmonischer Prozesse mithilfe des Circular Pitch-Class Space am Beispiel der Tristan-Sequenz (2019)Zur Visualisierung harmonisch…Generalized Musical Intervals and Transformations (1988)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Schemata und Systemcharakter (2015)Daniel Harrison, Pieces of Tradition. An Analysis of Contemporary Tonal Music, Oxford: Oxford University Press 2016 (2018)A Theory for Parsimonious Voice-Leading Classes (2021)Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents (1994)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Uniform Triadic Transformations (2002)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)Scale Networks and Debussy (2004)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)A geometry of music: harmony and counterpoint in the extended common practice (2012)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)Pitch Structure and the Analytic Process in Atonal Music: An Interpretation of the Theory of Sets (1979)Stravinsky and the Octatonic: The Sounds of Stravinsky (2003)Chromatically Altered Diminished‐Seventh Chords: Reframing Function through Dissonance Resolution in Late Nineteenth‐Century Tonality (2022)
this work references cited by second hop

References

  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 1998Some Aspects of Three-Dimensional "Tonnetze"132 cited
  • 1998Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords115 cited
  • 2013Audacious euphony: Chromaticism and the triad's second nature33 cited
  • 1972Meta-Variations, Part IV: Analytic Fallout (I)21 cited

Cited by

  • 2019Zur Visualisierung harmonischer Prozesse mithilfe des Circular Pitch-Class Space am Beispiel der Tristan-Sequenz2 cited

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