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The Role of Metacognitive Skills in Music Learning and Performing: Theoretical Features and Educational Implications
14 references·16 citing·38 second hop
The Role of Metacognitive Skills in Music Learning and Performing: Theoretical Features and Educational Implications (2019)The Role of Metacognitive Skills in Music…Self-regulation and music learning: A systematic review (2014)Self-regulation and music lea…Music Matters: A Philosophy of Music Education (2014)Music Matters: A Philosophy o…The Development of a Measure of Self-Regulated Practice Behavior for Beginning and Intermediate Instrumental Music Students (2011)The Development of a Measure …Self-Regulation of Musical Learning (2011)Self-Regulation of Musical Le…Self-regulation strategies used by student musicians during music practice (2008)Self-regulation strategies us…Metacognition and learning: conceptual and methodological considerations (2006)Metacognition and learning: c…Strategies and self-efficacy beliefs in instrumental and vocal individual practice: a study of students in higher music education (2004)Strategies and self-efficacy …Cognition and the Body: Perspectives from Music Education (2004)Cognition and the Body: Persp…The development of metacognition in musicians: Implications for education (2001)The development of metacognit…Self-theories: Their Role in Motivation, Personality, and Development (1999)Self-theories: Their Role in …Promoting general metacognitive awareness (1998)Promoting general metacogniti…Motivational and self-regulated learning components of classroom academic performance. (1990)Motivational and self-regulat…The reflective practitioner: How professionals think in action (1984)The reflective practitioner: …Metacognition and cognitive monitoring: A new area of cognitive-developmental inquiry. (1979)Metacognition and cognitive m…Music engagement, metacognitions, and performance outcomes: an empirical investigation among Chinese advanced music students (2025)Music engagement, metacogniti…AI-assisted feedback and reflection in vocal music training: effects on metacognition and singing performance (2025)AI-assisted feedback and refl…Understanding learners’ relationships with music (2024)Understanding learners’ relat…The influence of piano playing on the performer’s mental state: the opportunity to express own emotions and experiences or perform a musical composition within the requirements of piano education (2024)The influence of piano playin…Developing an Online Intervention to Equip Tertiary Piano Students With Skills and Strategies for Effective Practice (2024)Developing an Online Interven…The effects of musical feedback training on metacognition and self-directed learning (2023)The effects of musical feedba…Investigation of the effect of music education programme on preschoolers’ motor creativity skills (2023)Investigation of the effect o…Self-regulation strategies and behaviors in the initial learning of the viola and violin with the support of software for real-time instrumental intonation assessment (2022)Self-regulation strategies an…Does genre make a difference? Classical orchestra/popular band musicians’ motivation, self-efficacy, and practice experiences’ effects on deliberate practice (2022)Does genre make a difference?…Deliberate practice in music: Development and psychometric validation of a standardized measurement instrument (2022)Deliberate practice in music:…The impact of a music education program on meta-musical awareness, logical-mathematical, and notational skills in preschoolers (2021)The impact of a music educati…Differences in instrumental practice time and strategies among Chinese music majors (2021)Differences in instrumental p…“Mistakes are just information”: A case study of a highly successful violin pedagogue (2021)“Mistakes are just informatio…Music Teachers’ Perspectives and Experiences of Ensemble and Learning Skills (2020)Music Teachers’ Perspectives …Applying Self-Regulated Learning and Self-Determination Theory to Optimize the Performance of a Concert Cellist (2020)Applying Self-Regulated Learn…A BLENDED PIANO TEACHING MODEL FOR NON-PIANO MUSIC MAJOR STUDENTS IN HUNAN CITY UNIVERSITY (2020)A BLENDED PIANO TEACHING MODE…The Reflective Practitioner: How Professionals Think in Action (1985)The role of practice in the development of performing musicians (1996)The development of practising strategies in young people (2012)Toward a Theory of Intrinsically Motivating Instruction* (1981)Expectancies, values and academic behaviors (1983)Development of a Structured Interview for Assessing Student Use of Self-Regulated Learning Strategies (1986)Classrooms: Goals, structures, and student motivation. (1992)School Engagement: Potential of the Concept, State of the Evidence (2004)Self-regulating Learning Strategies in Instrumental Music Practice (2001)The Role of Self-Efficacy in a Musical Performance Examination: An Exploratory Structural Equation Analysis (2003)Measuring distinct types of musical self-efficacy (2010)When quantity is not enough: Disentangling the roles of practice time, self-regulation and deliberate practice in musical achievement (2014)Applying self-regulated learning microanalysis to study musicians’ practice (2017)Student differences in self-regulated learning: Relating grade, sex, and giftedness to self-efficacy and strategy use. (1990)Handbook of reading research (1991)Components of fostering self-regulated learning among students. A meta-analysis on intervention studies at primary and secondary school level (2008)How can primary school students learn self-regulated learning strategies most effectively? (2008)Handbook of Self-Regulation of Learning and Performance (2017)Apprenticeship in Thinking (1990)The role of deliberate practice in the acquisition of expert performance. (1993)Feedback and Self-Regulated Learning: A Theoretical Synthesis (1995)The Effects of School-Based Writing-to-Learn Interventions on Academic Achievement: A Meta-Analysis (2004)Biology in Bloom: Implementing Bloom's Taxonomy to Enhance Student Learning in Biology (2008)Promoting Student Metacognition (2012)Bridging Epistemologies: The Generative Dance Between Organizational Knowledge and Organizational Knowing (1999)Knowledge and Organization: A Social-Practice Perspective (2001)Managing the co-creation of value (2007)The "What" and "Why" of Goal Pursuits: Human Needs and the Self-Determination of Behavior (2000)Motivational Beliefs, Values, and Goals (2002)Formative assessment and self‐regulated learning: a model and seven principles of good feedback practice (2006)Action, Criticism and Theory for Music Education (2004)Instrumental Music Educators in a COVID Landscape: A Reassertion of Relationality and Connection in Teaching Practice (2021)The digital ‘turn’ in music education (editorial) (2021)The Role of Goal Orientation in Self-Regulated Learning (2000)Cultural Intelligence: Its Measurement and Effects on Cultural Judgment and Decision Making, Cultural Adaptation and Task Performance (2007)Implications for educational practice of the science of learning and development (2019)Becoming a Self-Regulated Learner: An Overview (2002)Interest and choice: student-selected repertoire and its effect on practising behaviour (2002)
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References

  • 1984The reflective practitioner: How professionals think in action19,752 cited
  • 1979Metacognition and cognitive monitoring: A new area of cognitive-developmental inquiry.11,258 cited
  • 1990Motivational and self-regulated learning components of classroom academic performance.8,318 cited
  • 1999Self-theories: Their Role in Motivation, Personality, and Development6,308 cited
  • 2006Metacognition and learning: conceptual and methodological considerations2,022 cited
  • 1998Promoting general metacognitive awareness1,029 cited
  • 2001The development of metacognition in musicians: Implications for education284 cited
  • 2014Music Matters: A Philosophy of Music Education258 cited
  • 2004Strategies and self-efficacy beliefs in instrumental and vocal individual practice: a study of students in higher music education216 cited
  • 2011Self-Regulation of Musical Learning213 cited
  • 2004Cognition and the Body: Perspectives from Music Education146 cited
  • 2014Self-regulation and music learning: A systematic review118 cited
  • 2008Self-regulation strategies used by student musicians during music practice104 cited
  • 2011The Development of a Measure of Self-Regulated Practice Behavior for Beginning and Intermediate Instrumental Music Students99 cited

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Cited by

  • 2020Applying Self-Regulated Learning and Self-Determination Theory to Optimize the Performance of a Concert Cellist42 cited
  • 2021The impact of a music education program on meta-musical awareness, logical-mathematical, and notational skills in preschoolers28 cited
  • 2025AI-assisted feedback and reflection in vocal music training: effects on metacognition and singing performance26 cited
  • 2020Music Teachers’ Perspectives and Experiences of Ensemble and Learning Skills26 cited
  • 2022Deliberate practice in music: Development and psychometric validation of a standardized measurement instrument15 cited
  • 2022Self-regulation strategies and behaviors in the initial learning of the viola and violin with the support of software for real-time instrumental intonation assessment13 cited
  • 2021“Mistakes are just information”: A case study of a highly successful violin pedagogue10 cited
  • 2021Differences in instrumental practice time and strategies among Chinese music majors8 cited
  • 2022Does genre make a difference? Classical orchestra/popular band musicians’ motivation, self-efficacy, and practice experiences’ effects on deliberate practice7 cited
  • 2023The effects of musical feedback training on metacognition and self-directed learning6 cited
  • 2023Investigation of the effect of music education programme on preschoolers’ motor creativity skills6 cited
  • 2024Developing an Online Intervention to Equip Tertiary Piano Students With Skills and Strategies for Effective Practice5 cited
  • 2024The influence of piano playing on the performer’s mental state: the opportunity to express own emotions and experiences or perform a musical composition within the requirements of piano education5 cited
  • 2024Understanding learners’ relationships with music5 cited
  • 2020A BLENDED PIANO TEACHING MODEL FOR NON-PIANO MUSIC MAJOR STUDENTS IN HUNAN CITY UNIVERSITY5 cited
  • 2025Music engagement, metacognitions, and performance outcomes: an empirical investigation among Chinese advanced music students4 cited