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“Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content
16 references·8 citing·35 second hop
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References

  • 1977Outline of a Theory of Practice27,539 cited
  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2014Constructing grounded theory15,747 cited
  • 1980Outline of a Theory of Practice.14,545 cited
  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 2023An Introduction to Qualitative Research9,544 cited
  • 2005Hegemonic Masculinity9,353 cited
  • 1994The Field of Cultural Production3,293 cited
  • 1997Culture and Cognition3,156 cited
  • 2013Racism without racists: color-blind racism and the persistence of racial inequality in America2,689 cited
  • 2016Strangers in their own land : anger and mourning on the American right2,602 cited
  • 2002The field of Cultural Production2,461 cited
  • 2009An Introduction to Qualitative Research2,334 cited
  • 1992Money, Morals, and Manners1,822 cited
  • 1995How Consumers Consume: A Typology of Consumption Practices1,701 cited
  • 2011Framed by Gender1,515 cited

Cited by

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  • 2020The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formation10 cited
  • 2020“You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configuration10 cited
  • 2020Popular Music, Technology, and the Changing Media Ecosystem10 cited
  • 2021Representation of Music Creators on Wikipedia, Differences in Gender and Genre9 cited
  • 2021Black Rap, White Rock: Non‐Declarative Culture and the Racialization of Cultural Categories6 cited
  • 2022Using word embedding models to capture changing media discourses: a study on the role of legitimacy, gender and genre in 24,000 music reviews, 1999–20216 cited
  • 2020It’s time for men to groom up!6 cited
  • 2025Signals and noise: How higher music education institutions define popular music3 cited