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THE WORK OF ART IN THE AGE OF ITS DIGITAL DISTRIBUTION
16 references·0 citing·39 second hop
THE WORK OF ART IN THE AGE OF ITS DIGITAL DISTRIBUTION (2019)THE WORK OF ART IN THE AGE OF ITS DIGITAL…A Snapshot of Social Media: Camera Phone Practices (2015)A Snapshot of Social Media: C…Walter Benjamin's Concept of the Image (2014)Walter Benjamin's Concept of …Radical History and the Politics of Art (2014)Radical History and the Polit…The Emancipated Spectator (2012)The Emancipated SpectatorRelational aesthetics (2011)Relational aestheticsThe Cambridge Introduction to Walter Benjamin (2008)The Cambridge Introduction to…Benjamin’s Aura (2008)Benjamin’s AuraArt Power (2008)Art PowerThe Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Walter Benjamin and Art (2005)Walter Benjamin and ArtMultitude: war and democracy in the age of empire (2005)Multitude: war and democracy …Pour une définition ontologique de la multitude (2002)Pour une définition ontologiq…Postproduction : culture as screenplay : how art reprograms the world (2002)Postproduction : culture as s…Walter Benjamin: The Colour of Experience (1998)Walter Benjamin: The Colour o…"The Aesthetic Ideology" as Ideology; Or, What Does It Mean to Aestheticize Politics? (1992)"The Aesthetic Ideology" as I…The Photographic Activity of Postmodernism (1980)The Photographic Activity of …The dialectics of seeing: Walter Benjamin and the Arcades project (1990)Benjamin and Cinema: Not a One-Way Street (1999)Little History of Photography (2008)M(Art)Worlds: Consumer Perceptions of How Luxury Brand Stores Become Art Institutions (2014)Photographing Objects as Queer Archival Practice (2014)Anthropology and traces (2015)Intimacy: A Special Issue (1998)Teen girls, sexual double standards and ‘sexting’: Gendered value in digital image exchange (2013)Zooming into an Instagram City: Reading the local through social media (2013)How the World Changed Social Media (2016)Why do players buy in-game content? An empirical study on concrete purchase motivations (2016)Capitalizing intimacy (2018)Negara: The Theatre State in Nineteenth-Century Bali (1980)The Differend: Phrases in Dispute (1983)The Truth in Painting (1987)Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945 (2012)International Relations in the Age of the Image (2018)Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World (2018)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)The cultural and creative industries: a review of the literature (2007)Exhibiting Cinema in Contemporary Art (2013)Improvisation and Social Aesthetics (2017)Prophecy and the near future: Thoughts on macroeconomic, evangelical, and punctuated time (2007)In the Social Factory? (2008)Resisting Neoliberalization: Communicative Planning or Counter-Hegemonic Movements? (2009)Making Sense: Embodiment and the Sensibilities of the Everyday (2000)Escape Routes: Control and Subversion in the Twenty-First Century (2008)The urban now: Theorising cities beyond the new (2013)Aesthetics and Politics (2014)Seeing things: Violence, voyeurism and the camera (2014)Politicizing Digital Space: Theory, the Internet, and Renewing Democracy (2017)Media and Participation: A site of ideological-democratic struggle (2011)Creativity and tourism in the city (2013)Games (2020)Art and gentrification: pursuing the urban pastoral in Hoxton, London (2011)Awards, archives, and affects: tropes in the World Press Photo contest 2009–11 (2013)Digitalization (2016)
this work references cited by second hop

References

  • 2005Multitude: war and democracy in the age of empire4,670 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 2011Relational aesthetics1,517 cited
  • 2012The Emancipated Spectator331 cited
  • 1998Walter Benjamin: The Colour of Experience254 cited
  • 2008Art Power248 cited
  • 2002Postproduction : culture as screenplay : how art reprograms the world226 cited
  • 2008Benjamin’s Aura218 cited
  • 2015A Snapshot of Social Media: Camera Phone Practices131 cited
  • 1992"The Aesthetic Ideology" as Ideology; Or, What Does It Mean to Aestheticize Politics?126 cited
  • 1980The Photographic Activity of Postmodernism89 cited
  • 2014Radical History and the Politics of Art83 cited
  • 2005Walter Benjamin and Art81 cited
  • 2002Pour une définition ontologique de la multitude67 cited
  • 2008The Cambridge Introduction to Walter Benjamin58 cited
  • 2014Walter Benjamin's Concept of the Image28 cited

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