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BELIEFS AND CUSTOMS OF THE |XAM BUSHMEN
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BELIEFS AND CUSTOMS OF THE |XAM BUSHMEN (1933)BELIEFS AND CUSTOMS OF THE |XAM BUSHMENThe Impact of Contact and Colonization on Indigenous Worldviews, Rock Art, and the History of Southern Africa (2022)The Impact of Contact and Col…Image-Makers (2019)Image-MakersThree nineteenth-century Southern African San myths: a study in meaning (2018)Three nineteenth-century Sout…Frogs or people: Dorothea Bleek and a genealogy of ideas in rock art research (2018)Frogs or people: Dorothea Ble…The Jackal and the Lion: Aspects of Khoisan Folklore (2016)The Jackal and the Lion: Aspe…‘Different people’ coming together: representations of alterity in ∣Xam Bushman (San) narrative (2014)‘Different people’ coming tog…Ritual fauna from Ratho Kroonkop: a second millennium AD rain control site in the Shashe-Limpopo Confluence area of South Africa (2013)Ritual fauna from Ratho Kroon…‘Rain snakes’ from the Senqu River: new light on Qing's commentary on San rock art from Sehonghong, Lesotho (2013)‘Rain snakes’ from the Senqu …Broken strings: interdisciplinarity and /Xam oral literature (2009)Broken strings: interdiscipli…Myths, Making, and Consciousness (2008)Myths, Making, and Consciousn…Roots and revolutions: a critical overview of early and late San rock art research (2006)Roots and revolutions: a crit…Eland and Therianthropes in Southern African Rock Art: When Is a Person an Animal? (2003)Eland and Therianthropes in S…Thaba Sione (1996)Thaba SioneRock art and changing perceptions of southern Africa's past: Ezeljagdspoort reviewed (1993)Rock art and changing percept…Interpreting paintings without a commentary: meaning and motive, content and composition in the rock art of the western Cape, South Africa (1989)Interpreting paintings withou…The rain bull of the South African Bushmen (1979)The rain bull of the South Af…Outline of a Theory of Practice (1977)Gender Trouble: Feminism and the Subversion of Identity (1991)Art and Agency: An Anthropological Theory (1999)San rock art: evidence and argument (2015)Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)The Perception of the Environment (2002)Analogy in Archaeological Interpretation (1961)The !Kung San: Men, Women and Work in a Foraging Society. (1981)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)The cultural and symbolic significance of the African rhinoceros: a review of the traditional beliefs, perceptions and practices of agropastoralist societies in southern Africa (2014)An Archaeological Contribution to the Kalahari Debate from the Middle Limpopo Valley, Southern Africa (2021)La mobilisation des données dans l'interprétation rituelle des arts rupestres San du Maloti-Drakensberg (2023)The !Kung of Nyae Nyae (1976)Anthropology as Cultural Critique (1999)Capturing the Spoor: Towards Explaining Kudu in San Rock Art of the Limpopo-Shashi Confluence Area (1999)Red Lines and Arrows: Attributes of Supernatural Potency in San Rock Art of the Northern Province, South Africa and South-Western Zimbabwe (1999)Seeking shelter: Later Stone Age hunters, gatherers and fishers of Olieboomspoort in the western Waterberg, south of the Limpopo (2008)The Wawanga and Other Tribes of the Elgon District, British East Africa. (1913)Reaction to Conquest (1961)The Woman with the Zebra's Penis: Gender, Mutability and Performance (1997)The Water Bull of the /Xam (1998)The Native Tribes of South West Africa (2012)Tricksters and trancers: Bushman religion and society (2000)The Archaeology of Southern Africa (2003)Shades of the Rainbow Serpent? A KhoeSan Animal between Myth and Landscape in Southern Africa—Ethnographic Contextualisations of Rock Art Representations (2014)Sesotho Online: Establishing an internet-based language knowledge community (2016)Acoustic Measurements and Digital Image Processing Suggest a Link Between Sound Rituals and Sacred Sites in Northern Finland (2017)Oral Literature in Africa (1971)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Oral Literature in Africa (2012)Op die spoor van vermeende letterdiefstal: Holografiese Argeologie, GR von Wielligh en die Bleek en Lloyd-argief (2023)Hunter and Habitat in the Central Kalahari Desert. (1982)Digital technologies in context: Prehistoric engravings in the Northern Cape, South Africa (2015)The Death of the Agama Lizard: The Historical Significances of a Multi-authored Rock-art Site in the Northern Cape (South Africa) (2015)Relational ontologies and performance: Identifying humans and nonhuman animals in the rock art from north-eastern Kimberley, Australia (2021)The idea of history (1946)Le mobilier funéraire de la Dame de Saint-Germain-la-Rivière (Gironde) et l’origine paléolithique des inégalités (2003)Reading the Past (2003)Prehistoric Rock Art: Polemics and Progress (2010)Works and Lives: The Anthropologist as Author. (1988)Works and Lives: The Anthropologist as Author (1989)‘Elusive and allusive’: key characteristics of San expressive culture (2026)The materialities of pigments, paints and personhood in San rock paintings: celebrating the inspiration from David Lewis-Williams (2026)
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Cited by

  • 1989Interpreting paintings without a commentary: meaning and motive, content and composition in the rock art of the western Cape, South Africa43 cited
  • 2013‘Rain snakes’ from the Senqu River: new light on Qing's commentary on San rock art from Sehonghong, Lesotho40 cited
  • 2008Myths, Making, and Consciousness34 cited
  • 2018Three nineteenth-century Southern African San myths: a study in meaning34 cited
  • 1996Thaba Sione33 cited
  • 1979The rain bull of the South African Bushmen32 cited
  • 2009Broken strings: interdisciplinarity and /Xam oral literature30 cited
  • 2013Ritual fauna from Ratho Kroonkop: a second millennium AD rain control site in the Shashe-Limpopo Confluence area of South Africa28 cited
  • 2003Eland and Therianthropes in Southern African Rock Art: When Is a Person an Animal?26 cited
  • 2014‘Different people’ coming together: representations of alterity in ∣Xam Bushman (San) narrative24 cited
  • 1993Rock art and changing perceptions of southern Africa's past: Ezeljagdspoort reviewed23 cited
  • 2022The Impact of Contact and Colonization on Indigenous Worldviews, Rock Art, and the History of Southern Africa20 cited
  • 2016The Jackal and the Lion: Aspects of Khoisan Folklore20 cited
  • 2019

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Image-Makers
15 cited
  • 2006Roots and revolutions: a critical overview of early and late San rock art research9 cited
  • 2018Frogs or people: Dorothea Bleek and a genealogy of ideas in rock art research8 cited