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Performers First: Gift Exchange and Digital Access to Live Folk Music Archives
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References

  • 2014Constructing grounded theory15,747 cited
  • 1983The Gift: Imagination and the Erotic Life of Property725 cited
  • 2009Preservation in the Age of Google: Digitization, Digital Preservation, and Dilemmas169 cited
  • 2011Common as air: revolution, art, and ownership111 cited
  • 2001All That Is Not Given Is Lost: Irish Traditional Music, Copyright, and Common Property75 cited
  • 2007The North American folk music revival: nation and identity in the United States and Canada, 1945-198054 cited
  • 1995New Tools for Preservation: Assessing Long-Term Environmental Effects on Library and Archives Collections29 cited
  • 1968The Distinction between Folk and Popular Music21 cited
  • 2010Perfect present, perfect gift: finding a place for archival consciousness in social theory16 cited
  • 2010From Monopoly to Intellectual Property: Music Piracy and the Remaking of American Copyright, 1909-197115 cited
  • 2021Copyright Law for Librarians and Educators: Creative Strategies and Practical Solutions15 cited
  • 2014Musical Property: Widening or Withering?6 cited
  • 2016Silenced Sounds: The State of Post-1940 Popular Music in United States Libraries and Archives5 cited
  • 2009Situating public performances: folk singers and song introductions5 cited

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