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Zur Visualisierung harmonischer Prozesse mithilfe des Circular Pitch-Class Space am Beispiel der Tristan-Sequenz
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References

  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents154 cited
  • 2008Bach's cycle, Mozart's arrow: an essay on the origins of musical modernity153 cited
  • 1925Romantische Harmonik und ihre Krise in Wagner's "Tristan"81 cited
  • 2000Circular Form in the "Tristan" Prelude44 cited
  • 2015The Melody of Time: Music and Temporality in the Romantic Era38 cited
  • 2013Audacious euphony: Chromaticism and the triad's second nature33 cited
  • 2010Cyclic Form, Time, and Memory in Mendelssohn's A-Minor Quartet, Op. 134 cited
  • 2018Visual figures of musical form between musicological examination and auditory perception based on Morgan’s analysis of the “Tristan” Prelude3 cited
  • 2019Cycling in Tonal Space. Neo-Riemannian Theory in der dritten Dimension2 cited

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