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Generic (Mod-7) Voice-Leading Spaces
16 references·3 citing·21 second hop
Generic (Mod-7) Voice-Leading Spaces (2019)Generic (Mod-7) Voice-Leading SpacesThe Generalized Tonnetz (2012)The Generalized TonnetzAudacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)Audacious EuphonyChromatic Ha…A geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony …Generalized Voice-Leading Spaces (2008)Generalized Voice-Leading Spa…The Geometry of Musical Chords (2006)The Geometry of Musical ChordsScale Networks and Debussy (2004)Scale Networks and DebussyUniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Uniformity, Balance, and Smoo…Voice-Leading Spaces (1998)Voice-Leading SpacesParsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music (1992)Transpositional Combination o…Maximally Even Sets (1991)Maximally Even SetsGeneralized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Variety and Multiplicity in Diatonic Systems (1985)Variety and Multiplicity in D…The Structure of Atonal Music (1974)The Structure of Atonal MusicThe Structure of Atonal Music (1973)The Structure of Atonal MusicTransformations for the Twenty-First Century (2025)Transformations for the Twent…Violin Fingerboard Space (2024)Violin Fingerboard SpaceDiatonic Voice-Leading Transformations (2023)Diatonic Voice-Leading Transf…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The distance geometry of music (2008)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Meter and Grouping in African Music: A View from Music Theory (2000)A Platonic Model of Funky Rhythms (2016)The Geometry of Musical Rhythm (2016)Aspects of Well-Formed Scales (1989)Action and Agency Revisited (2013)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)A geometry of music: harmony and counterpoint in the extended common practice (2012)A Cognitive Theory of Musical Meaning (2000)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Atonal prolongational structure (1989)Tonality and transformation (2012)The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form (2020)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Musical Syntax I: Theoretical Perspectives (2018)Q-analysis, or a language of structure: an introduction for social scientists, geographers and planners (1980)(Ac)cumulative Form in Pop-Rock Music (2004)
this work references cited by second hop

References

  • 1973The Structure of Atonal Music501 cited
  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1974The Structure of Atonal Music297 cited
  • 2006The Geometry of Musical Chords292 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 2012Audacious EuphonyChromatic Harmony and the Triad's Second Nature237 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 1991Maximally Even Sets203 cited
  • 1985Variety and Multiplicity in Diatonic Systems166 cited
  • 1992Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music146 cited
  • 2003Uniformity, Balance, and Smoothness in Atonal Voice Leading131 cited
  • 2004Scale Networks and Debussy79 cited
  • 2012The Generalized Tonnetz64 cited
  • 1998Voice-Leading Spaces63 cited

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Cited by

  • 2025Transformations for the Twenty-First Century4 cited
  • 2023Diatonic Voice-Leading Transformations4 cited
  • 2024Violin Fingerboard Space4 cited