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Play with Closing Markers: Cadential Multivalence in 1960s Prechoruses and Related Schemas
16 references·0 citing·22 second hop
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this work references cited by second hop

References

  • 1987Women, Fire, and Dangerous Things12,688 cited
  • 1988Women, Fire, and Dangerous Things: What Categories Reveal about the Mind7,367 cited
  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2006Elements of Sonata Theory644 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1998Classical Form529 cited
  • 1991Phrase Rhythm in Tonal Music479 cited
  • 1969Musical Form and Musical Performance314 cited
  • 2012Song means: analysing and interpreting recorded popular song209 cited
  • 1999The Beatles as Musicians: The Quarry Men Through Rubber Soul196 cited
  • 1971Musical Form and Musical Performance174 cited
  • 2016Song Means: Analysing and Interpreting Recorded Popular Song159 cited
  • 2014Formal Functions of Metric Dissonance in Rock Music143 cited
  • 1995The so-called ‘flattened seventh’ in rock140 cited
  • 2004Making Sense of Rock’s Tonal Systems140 cited
  • 2007The melodic-harmonic ‘divorce’ in rock

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