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Rap and Mizoued Music: Claiming a Space for Dissent and Protest in Post-Arab Spring Tunisia
16 references·0 citing·37 second hop
Rap and Mizoued Music: Claiming a Space for Dissent and Protest in Post-Arab Spring Tunisia (2020)Rap and Mizoued Music: Claiming a Space f…The language of hip hop and rap in Tunisia: socio-cultural mirror, authenticity tool, and herald of change (2019)The language of hip hop and r…Feeling so Hood. Rap, lifestyles and the neighbourhood imaginary in Tunisia (2017)Feeling so Hood. Rap, lifesty…Unfinished Revolutions (2016)Unfinished RevolutionsLes « brûleurs » de frontières dans la musique populaire tunisienne (2016)Les « brûleurs » de frontière…Rebel music: race, empire, and the new Muslim youth culture (2014)Rebel music: race, empire, an…Diglossia and Language Contact (2014)Diglossia and Language ContactCultural capital or habitus? Bourdieu and beyond in the explanation of enduring educational inequality (2014)Cultural capital or habitus? …State, Space, World: Selected Essays (2010)State, Space, World: Selected…Rap on ‘l’Avenue’; Islam, aesthetics, authenticity and masculinities in the Tunisian rap scene (2010)Rap on ‘l’Avenue’; Islam, aes…Space and Social Theory (2008)Space and Social TheoryIs Hip Hop Dead? (2007)Is Hip Hop Dead?Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre (2007)Arabic Hip Hop: Claims of Aut…Mizwid: An Urban Music With Rural Roots (2006)Mizwid: An Urban Music With R…Popular Culture, Marginality and Institutional Incorporation (1998)Popular Culture, Marginality …The art/popular music paradigm and the Tunisian Ma'lūf (1996)The art/popular music paradig…Distinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critiqu…White Women, Race Matters (1993)Constructing Co-Cultural Theory: An Explication of Culture, Power, and Communication (1998)Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music (2011)Hip Hop Studies in Black (2014)Parenting for a Digital Future (2020)The politics oftaqlidirap: reimagining Moroccanness in the era of global flows (2015)The Cultural Cold War: The CIA and the World of Arts and Letters (2017)Detroit Youth Speak Back: Rewriting Deficit Perspectives Through Songwriting (2018)Violentologies (2021)We gotta get out of this place: popular conservatism and postmodern culture (1992)Black noise: rap music and black culture in contemporary America (1994)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Constraining metaphors and the transnationalisation of spaces in Berlin (2001)Diversity of Experience, Experience of Diversity (2001)‘Having a German passport will not make me German’: reactive ethnicity and oppositional identity among disadvantaged male Turkish second-generation youth in Germany (2015)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)The Logic of Practice (1990)By Chance or by Plan?: The Academic Success of Nontraditional Students in Higher Education (2018)Cultural capital in undergraduate research: an exploration of how biology students operationalize knowledge to access research experiences at a large, public research-intensive institution (2021)It’s in the syllabus … or is it? How biology syllabi can serve as communication tools for creating inclusive classrooms at a large-enrollment research institution (2021)The Cambridge Handbook of Arabic Linguistics (2021)From emotion to politics: A sociolinguistic analysis of the Moroccan Ultras’ chants (2023)Multilingualism in linguistic landscapes in Tunisia: a critical discourse analysis of language policy activities (2023)Assemblage urbanism and the challenges of critical urban theory (2011)Possible Worlds: Henri Lefebvre and the Right to the City (2013)Towards a new epistemology of the urban? (2015)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Consumption and Theories of Practice (2005)Income inequality and population health: A review and explanation of the evidence (2005)Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race (2009)The sampling continuum: musical aesthetics and ethics in the age of digital production (2017)“Spinnin' the Webb”: Representational Spaces, Mythic Narratives, and the 1937 Webb/Goodman Battle of Music (2020)Building a Social Materiality: Spatial and Embodied Politics in Organizational Control (2005)Memorial landscapes: analytic questions and metaphors (2008)Socio-spatial Inequalities and Social Cohesion in European Cities (2012)
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References

  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 2010State, Space, World: Selected Essays496 cited
  • 2014Cultural capital or habitus? Bourdieu and beyond in the explanation of enduring educational inequality334 cited
  • 2014Rebel music: race, empire, and the new Muslim youth culture133 cited
  • 2008Space and Social Theory124 cited
  • 2014Diglossia and Language Contact101 cited
  • 2007Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre53 cited
  • 2007Is Hip Hop Dead?51 cited
  • 1998Popular Culture, Marginality and Institutional Incorporation45 cited
  • 2016Unfinished Revolutions44 cited
  • 2016Les « brûleurs » de frontières dans la musique populaire tunisienne17 cited
  • 2017Feeling so Hood. Rap, lifestyles and the neighbourhood imaginary in Tunisia16 cited
  • 1996The art/popular music paradigm and the Tunisian Ma'lūf13 cited
  • 2010Rap on ‘l’Avenue’; Islam, aesthetics, authenticity and masculinities in the Tunisian rap scene13 cited
  • 2019The language of hip hop and rap in Tunisia: socio-cultural mirror, authenticity tool, and herald of change12 cited

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2006
Mizwid: An Urban Music With Rural Roots
10 cited

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