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Do state funding, geographic location, and networks matter?
16 references·1 citing·32 second hop
Do state funding, geographic location, and networks matter? (2020)Do state funding, geographic location, an…The Oxford Handbook of Creative Industries (2015)The Oxford Handbook of Creati…Looking Back, Looking Forward: Arts-Based Careers and Creative Work (2013)Looking Back, Looking Forward…Multiple job-holding and artistic careers: some empirical evidence (2011)Multiple job-holding and arti…Looking for work in creative industries policy (2009)Looking for work in creative …Chapter 22 Artistic Labor Markets: Contingent Work, Excess Supply and Occupational Risk Management (2006)Chapter 22 Artistic Labor Mar…Buzz: face-to-face contact and the urban economy (2004)Buzz: face-to-face contact an…Why Are Artists Poor? (2002)Why Are Artists Poor?The field of Cultural Production (2002)The field of Cultural Product…Creative Industries: Contracts between Art and Commerce (2001)Creative Industries: Contract…The sociology of philosophies: a global theory of intellectual change (1999)The sociology of philosophies…Organizational Mediation of Project-Based Labor Markets: Talent Agencies and the Careers of Screenwriters (1999)Organizational Mediation of P…The Field of Cultural Production (1994)The Field of Cultural Product…Muses and Markets: Explorations in the Economics of the Arts (1989)Muses and Markets: Exploratio…The ecology of human development: Experiments by nature and design (1980)The ecology of human developm…The Ecology of Human Development (1979)The Ecology of Human Developm…The ecology of human development : experiments by nature and design (1979)The ecology of human developm…Covid-19, cultural policy and the Irish arts sector: continuum or conjuncture? (2023)Covid-19, cultural policy and…The Managed Heart: Commercialization of Human Feeling (1984)THE HUMAN SIDE OF ENTERPRISE (1985)The Rise of the Creative Class (2002)Gender and Creative Labour (2015)Sustainable Luxury Marketing: A Synthesis and Research Agenda (2019)Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy (2020)The Presentation of Self in Everyday Life. (1956)Bowling alone: the collapse and revival of American community (2000)Metaphors We Live By (2003)The Nature of Cities: The Scope and Limits of Urban Theory (2014)The Growing Importance of Social Skills in the Labor Market* (2017)Regional inequality in Europe: evidence, theory and policy implications (2018)Vertical and Horizontal Discourse: An essay (1999)Artists, Aestheticisation and the Field of Gentrification (2003)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)The Sociology of Philosophies (1998)A General Theory of Scientific/Intellectual Movements (2005)Rethinking epistemic communities twenty years later (2012)Ecology of the family as a context for human development: Research perspectives. (1986)The world report on violence and health (2002)The Bioecological Model of Human Development (2007)Impact of Parenting Practices on Adolescent Achievement: Authoritative Parenting, School Involvement, and Encouragement to Succeed (1992)Online communication, social media and adolescent wellbeing: A systematic narrative review (2014)Learning Styles and Learning Spaces: Enhancing Experiential Learning in Higher Education (2005)The Lifelong Effects of Early Childhood Adversity and Toxic Stress (2011)Building global knowledge pipelines: The role of temporary clusters (2006)Tourism, Creativity and Development (2007)Qualitative Research in Management: A Decade of Progress (2010)Creative Cities, Creative Spaces and Urban Policy (2009)Accounting for taste: Art and the financial markets over three centuries (1993)Publishing as Prostitution? – Choosing Between One's Own Ideas and Academic Success (2003)Buying Beauty: On Prices and Returns in the Art Market (2012)
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  • 2006

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Chapter 22 Artistic Labor Markets: Contingent Work, Excess Supply and Occupational Risk Management
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  • 2023Covid-19, cultural policy and the Irish arts sector: continuum or conjuncture?7 cited