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Chapter 6 develops an innovative theory of translation that captures its creative dimension. The metaphor of the ‘prism’ enables translation to be seen not in terms of functional equivalence but as a release of multiple signifying possibilities. This idea is put into practice through literary critical research into the many translations of Charlotte Brontë’s Jane Eyre, and into the importance of different scripts (e.g. Chinese, Arabic, alphabetic) as a factor in translation; we also use the approach to inspire creative writing in schools.
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