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Imagining the Future of a Complex Mixed-media Work: The Case of Lynn Hershman Leeson’s The Floating Museum
11 references·1 citing·29 second hop
Imagining the Future of a Complex Mixed-media Work: The Case of Lynn Hershman Leeson’s The Floating Museum (2020)Imagining the Future of a Complex Mixed-m…Museums as Agents for Social Change (2021)Museums as Agents for Social …How Digital Platforms Can Trigger Cultural Value Co-Creation?—A Proposed Model (2018)How Digital Platforms Can Tri…What is an Assemblage? (2017)What is an Assemblage?Histories of Performance Documentation (2017)Histories of Performance Docu…Documenting Performance (2017)Documenting PerformanceArchive everything: mapping the everyday (2017)Archive everything: mapping t…Preserving and Exhibiting Media Art (2013)Preserving and Exhibiting Med…Reflections on a Biographical Approach to Contemporary Art Conservation (2011)Reflections on a Biographical…After the Act : The Representation of Performance Art (2007)After the Act : The Represent…"Presence" in Absentia: Experiencing Performance as Documentation (1997)"Presence" in Absentia: Exper…Performance Anthology: Source Book for a Decade of California Performance Art (1980)Performance Anthology: Source…FASHION ARCHIVE AS METAMEDIUM unfolding design knowledge through digital technologies (2023)FASHION ARCHIVE AS METAMEDIUM…The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun (1982)Co-creation experiences: The next practice in value creation (2004)Service-dominant logic: continuing the evolution (2007)Triggering a patient-driven service innovation to foster the service ecosystem well-being: a case study (2022)Value co‐creation in cultural heritage information practices: Literature review and future agenda: An Annual Review of Information Science and Technology (ARIST) paper (2023)Business model innovation and Industry 5.0: a possible integration in GLAM institutions (2024)Archaeology of Knowledge (1970)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Postmodernism, or, The cultural logic of late capitalism (1991)Exploring the Outlands : A Case-Study on the Conservation Installation and Artist Interview of David Haines’ and Joyce Hinterding’s Time-Based Art Installation (2021)A multilevel dynamic model for documenting, reactivating and preserving interactive multimedia art (2023)The Artist’s Intent in Flux (2013)Autoethnography as a new approach in conservation (2016)Changeability, Variability, and Malleability: Sharing Perspectives on the Role of Change in Time-based Art and Utilitarian Machinery Conservation (2020)The Right to Be Forgotten and Implications on Digital Collections: A Survey of ARL Member Institutions on Practice and Policy (2018)The Digital Archive as an Inclusive Tool for Knowledge Construction Through Design Practices (2024)Multiplicity in the documentation of performance-based artworks: Displaying multi-media documentation in Rebecca Horn’sBody Sculpturesat Tate (2018)The Benin tusk and Zulu beadwork: Practicing decolonial work at Manchester Museum through shared authority (2023)Handling the open culture dilemma in museum management: an exploratory interdisciplinary study (2024)The Neoliberalisation of Heritage in Africa (2025)“Endless Art”: The Contemporary Archive of Performance (2018)Internet theatre and the historical consciousness of the Covid-19 era (2021)Introduction – performing in digital in the COVID-19 era (2022)The Informative Public of Performance: A Study of Viennese Actionism, 1965–1970 (2013)Körper als Archiv in Bewegung (2016)Scheitern als Performance (2021)Affective Arrangements (2017)Assemblage Theory, or, the Future of an Illusion (2017)What is policy assemblage? (2019)
this work references cited by second hop

References

  • 2017What is an Assemblage?478 cited
  • 1997"Presence" in Absentia: Experiencing Performance as Documentation83 cited
  • 2011Reflections on a Biographical Approach to Contemporary Art Conservation58 cited
  • 2018How Digital Platforms Can Trigger Cultural Value Co-Creation?—A Proposed Model48 cited
  • 2017Archive everything: mapping the everyday33 cited
  • 2021Museums as Agents for Social Change25 cited
  • 2017Documenting Performance17 cited
  • 2017Histories of Performance Documentation16 cited
  • 1980Performance Anthology: Source Book for a Decade of California Performance Art15 cited
  • 2013Preserving and Exhibiting Media Art12 cited
  • 2007After the Act : The Representation of Performance Art6 cited

Cited by

  • 2023FASHION ARCHIVE AS METAMEDIUM unfolding design knowledge through digital technologies5 cited

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